THE CLASS

Name: THE CLASS
Author: Hermann Ungar
ISBN: 1-903517-19-2

by Hermann Ungar & translated by Mike Mitchell ‧ RELEASE DATE: July 15, 2004

Like a glimpse three-quarters of a century back into a world that has wholly vanished: formal, constrained, class-ridden,...

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The first English translation of Czech author Ungar’s extremely interesting second novel, published in 1927, preceding the better-known The Maimed (1928, 2002).

Josef Blau, schoolteacher, has a full-blown case of paranoia, driven by an unrelenting sense of inferiority from having been born to the working class. Now, he’s absolutely certain that his group of 18 high-school boys—all from the very well-off classes—are simply biding their time, waiting for him to make some mistake that will let them get the upper hand and ride rough-shod over him, revealing that his authority over them is baseless, humiliating him utterly. A more strict keeper of order, therefore, you could hardly imagine than Josef Blau, so stiff and formal that Ungar never even mentions him except by his full name: Josef Blau—not even in the scenes in his apartment at home with his pregnant (and very pretty) wife Selma, his mother-in-law, and their frequent visitor Uncle Bobek, gourmand, souse, sponge, nostalgist, braggart. What will happen? On an outing into the countryside, Josef Blau is certain he hears his boys taunt him—especially when he then senses them turning toward Herr Leopold, the handsome, companionable, athletic new instructor. Things only worsen as Josef Blue runs into money trouble, thinks Herr Leopold is wooing Selma, and believes that the richest boy in his class has a secret that he’s about to use to humiliate his instructor. Josef Blau’s childhood friend, the very strange and bitterly class-conscious Modlizki, suggests a plan to turn the tables and get something to blackmail the boy in return—by spying on him in the red light district. But there’s a snag, and the plan brings results more horrifying than ever intended or imagined, and the question becomes one of whether Josef Blau can survive at all.

Like a glimpse three-quarters of a century back into a world that has wholly vanished: formal, constrained, class-ridden, quintessentially European. Fascinating.

Pub Date: July 15, 2004

ISBN: 1-903517-19-2

Page Count: 180

Publisher: Dedalus

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2004

Categories:

GENERAL FICTION

- BOOK REVIEW
THE MAIMED
by Hermann Ungar & translated by Mike Mitchell

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

- BOOK REVIEW
THE WOMEN
by Kristin Hannah

- BOOK REVIEW
THE FOUR WINDS
by Kristin Hannah

- BOOK REVIEW
THE GREAT ALONE
by Kristin Hannah

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.