Like a glimpse three-quarters of a century back into a world that has wholly vanished: formal, constrained, class-ridden,...



The first English translation of Czech author Ungar’s extremely interesting second novel, published in 1927, preceding the better-known The Maimed (1928, 2002).

Josef Blau, schoolteacher, has a full-blown case of paranoia, driven by an unrelenting sense of inferiority from having been born to the working class. Now, he’s absolutely certain that his group of 18 high-school boys—all from the very well-off classes—are simply biding their time, waiting for him to make some mistake that will let them get the upper hand and ride rough-shod over him, revealing that his authority over them is baseless, humiliating him utterly. A more strict keeper of order, therefore, you could hardly imagine than Josef Blau, so stiff and formal that Ungar never even mentions him except by his full name: Josef Blau—not even in the scenes in his apartment at home with his pregnant (and very pretty) wife Selma, his mother-in-law, and their frequent visitor Uncle Bobek, gourmand, souse, sponge, nostalgist, braggart. What will happen? On an outing into the countryside, Josef Blau is certain he hears his boys taunt him—especially when he then senses them turning toward Herr Leopold, the handsome, companionable, athletic new instructor. Things only worsen as Josef Blue runs into money trouble, thinks Herr Leopold is wooing Selma, and believes that the richest boy in his class has a secret that he’s about to use to humiliate his instructor. Josef Blau’s childhood friend, the very strange and bitterly class-conscious Modlizki, suggests a plan to turn the tables and get something to blackmail the boy in return—by spying on him in the red light district. But there’s a snag, and the plan brings results more horrifying than ever intended or imagined, and the question becomes one of whether Josef Blau can survive at all.

Like a glimpse three-quarters of a century back into a world that has wholly vanished: formal, constrained, class-ridden, quintessentially European. Fascinating.

Pub Date: July 15, 2004

ISBN: 1-903517-19-2

Page Count: 180

Publisher: Dedalus

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 2004

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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