Next book

THE VILLAGE ON THE EDGE OF THE WORLD

WRITING AND SURVIVING CEAUŞESCU'S ROMANIA

A riveting account, with bittersweet, lyrical, and hard-won wisdom packed onto every page.

A memoir from the 2009 winner of the Nobel Prize for Literature, crafted through conversation with her editor.

Müller spent her childhood working in the fields surrounding her remote village, a member of the Banat Swabian ethnic German minority in Romania. This was the period of Romania’s Socialist experiment, presided over by Nicolae Ceauşescu and his vicious secret police, the Securitate. Despite the misery, poverty, and desperation of communism, with its gray uniformity, Müller was, from an early age, drawn to the beauty and mystery of natural details, the poetry of superstition, and the specific configurations of words. These sensibilities, along with her gift for piercing, discerning attention, are all on display as she reflects on her upbringing, her personal efforts to expose Ceauşescu’s harsh oppression, and the still oft-obscured era of Romanian history that bridged from an alliance with Adolf Hitler to governance by a Stalinist dictator. The cruel political climate meant that Müller’s career as a writer carried a flavor of intrigue, with significant censorship of her texts, clandestine meetings with editors, an underground assemblage of stubbornly artistic revolutionaries, and regular surveillance and interrogation by the Securitate. But without capitulating to thrill and heroism, the author recounts her history and its influence with matter-of-fact deliberation that holds space for the severity and aloneness that characterized so much of her life. Her sober tone casts the pervasive brutality, ugliness, and distortions of Ceauşescu’s regime into unsettling relief and crystallizes the irrevocable link between Müller’s radical loyalty to the freedom of individual expression, her insistence on speaking truth, and her fierce allegiance to art. The reader is left with a solemn wonder at the singularly meticulous power of Müller’s imagination and her inimitable, granular reverence for language.

A riveting account, with bittersweet, lyrical, and hard-won wisdom packed onto every page.

Pub Date: May 5, 2026

ISBN: 9798897100828

Page Count: 288

Publisher: Pegasus

Review Posted Online: Dec. 26, 2025

Kirkus Reviews Issue: Feb. 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 530


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Awards & Accolades

Likes

  • Readers Vote
  • 530


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

Awards & Accolades

Likes

  • Readers Vote
  • 151


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Awards & Accolades

Likes

  • Readers Vote
  • 151


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

Close Quickview