The Day of the Locust it ain’t—but de Vries’s slight confection offers great entertainment.
An all-the-angles-working film publicist seeks earthly happiness. Failing that, she throws a bunch of parties.
“In Hollywood,” observes our protagonist, “you only fail upward.” Perhaps so, but mess up a gift bag, and the prospects of becoming a bag lady loom large. Alex Davidson, whom we met in de Vries’s So 5 Minutes Ago (2004), is now 36 and just a touch desperate to settle down again, though not so much that she’ll turn off her cell phone. The worm has definitely turned, she realizes, when her opposite-coast mother asks her for tips on what to put in the gift bags she’s getting together for her next party, the celebrity requirement that swag come with any appearance now having entered the general culture. Alex knows all about this; jetting her way east, she has to contend with a gift-bag crisis of epic proportions, for party-giver Jennifer, “a former exotic dancer and now bride-to-be of Jeffrey Hawker, the much-married, much-divorced star of the long-running sitcom Lovin’ It,”is about to melt down over the fact that the gift-bag garters have a matte, not sateen, finish. Alex is having a meaningful something with a partner in her firm, the studly Charles, so that now she’s “no longer the Emma-Thompson-lonely-spinster but a slutty Britney Spears wannabe stuck in a Woody Allen fantasy sequence with my Rittenhouse-Square-lunch-at-the-club mother.” (Whew!) Alas, even in Hollywood, happy endings are hard to come by, and, meanwhile, there’s yet another childish star to coddle. De Vries’s storyline is a soufflé, but she has a sharp eye and a good ear, and she turns in wise observations on a town little known for wisdom: Why is it, she muses, that men can’t close a deal, always leave something for someone else to pick up? When did it come to pass “that the only movies you see on planes are the losers?” Curious minds want to know.
The Day of the Locust it ain’t—but de Vries’s slight confection offers great entertainment.Pub Date: June 21, 2005
ISBN: 1-4000-6349-3
Page Count: 304
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2005
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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