Anyone who still believes that visitors from outer space are little wrinkled green men with weaving antennae are in for some surprises in this novel by Hemingway (niece of Ernest) and her husband, Lindsay. Billed as a fictional account of an alleged governmental cover-up of a UFO that crash-landed in the Nevada desert nearly 50 years ago, Dreamland spins a high-tech, often far-fetched fantasy of space travelers experimenting with hybrid life forms and revealing themselves to humans via cattle mutilations, eerie music, and bright lights on deserted roads. The bad guys here are US intelligence cadres of Black Berets operating from a top-secret Air Force base and led by veteran Cold Warrior Colonel John Wesley. Wesley shows his style early in the novel by murdering a National Security Agency operative for daring to suggest limits on his ``hostile approach'' to the government's extraterrestrial guests. Meanwhile, heroine astronomer Annie Katz, four months pregnant by her husband, Stanley, in Los Alamos, N.M., mysteriously loses her gestating baby (no miscarriage, it just disappears). In her grief, Annie begins having strange visions of an owl that had nearly smashed into her car's windshield one night, unaware it is a fake memory of her fetus being abducted by aliens. The truth comes out when Katz is hypnotized by UFO investigator Frank Cassidy, summoned to her home by Jungian psychiatrist Carol Blum who says things like ``What happened to you has a psychological classification. It's called Post-Abduction Syndrome.'' Such insights are dangerous, and it isn't long before the Black Berets destroy Blum, Cassidy, and several cops. The Katzes escape, with Annie later evaporating hit squads with a lethal particle-beam weapon called JOSHUA. A little grayish being with four fingers returns the fetus to her uterus. Obviously a far cry from Papa Hemingway's realism, Dreamland is spotty SF that takes an occasional, if unintentional, satirical swipe at space-age angst. (Author tour)
Pub Date: Feb. 1, 1995
ISBN: 0-312-85631-8
Page Count: 320
Publisher: Forge
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 1994
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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