Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2020

Next book

HANDSOME

STORIES OF AN AWKWARD GIRL BOY HUMAN

A delightful remembrance that’s brimming with honesty and wit.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2020

A collection of humorous and heartfelt stories about gender, sex, childhood, shame, and self-acceptance.

“When I was four years old,” Lorka states on the first page of her debut, “my friend Mikey told me that when he went downhill fast, like in a car, it made his pee-pee feel funny.” Thus begins her collection of autobiographical essays that focus on nearly five decades of awkwardness, sexual awakenings, breakups, gender dysphoria, upended career expectations, and nighttime visitations by the ghost of singer George Michael. Lorka’s charming, irreverent voice leaps off every page as she casually unspools the details of her life, touching on major events only briefly—such as when she dumped her male fiance and embraced her attraction to women, or her difficult relationship with her late mother—only to saunter back to them later with winking familiarity. Lorka’s ability to balance life’s harshness alongside its ridiculousness and to poke fun at herself make for a read that’s never disingenuous or boring. An account of a pit bull attack is, at different points, harrowing and hilarious, and a story of a high school crush on a coach walks a tightrope between longing and obsession. Various digressions about her career as an intensive care nurse manage to, by turns, bemoan the sexualization of nursing and recount the tragic death of a new mother. Most arresting, though, are Lorka’s candid discussions of her lifelong struggles with her body and sexuality as a gender-nonconforming lesbian. With self-deprecating humor, the author lays out her internalized shame, her discomfort, and her hunger to be someone different; only after having thoroughly entrenched the reader in this mindset does Lorka then guide them through an account of her agonizing but glorious process of learning to love herself. The results are cathartic, joyful, encouraging, and often very funny.

A delightful remembrance that’s brimming with honesty and wit.

Pub Date: Oct. 20, 2020

ISBN: 978-1-63152-783-8

Page Count: 250

Publisher: She Writes Press

Review Posted Online: July 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 23


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Awards & Accolades

Likes

  • Readers Vote
  • 23


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 407


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Awards & Accolades

Likes

  • Readers Vote
  • 407


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

Close Quickview