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THE FAR REACHES

Excellent war and, when the guns aren’t firing, equally fine peace.

Hickam sends his recurring hero, Josh Thurlow, to the World War II invasion of Tarawa and then off to an edenic atoll with a few stalwart troops and a complicated Irish nun who hopes he will carry out her own battle plan.

Introduced in The Keeper’s Son (2003), U.S. Coast Guard Captain Thurlow, sea-savvy native of the Outer Banks, operates independently under the mandate of Navy Secretary Frank Knox, sending back private reports and analyses providing the Secretary with unfiltered information on the successes and failures of the Navy’s mission. The invasion of Tarawa, with which this rouser begins, threatens to be a disaster of the first order. The American strategy of island hopping has brought the fleet to a low-lying string of islands well defended by Japanese troops prepared to fight to the death. The emperor’s forces have prepared earthworks that seem impervious to the Navy’s giant guns, and the day the Marines have picked for invasion is cursed by a tide that will send the invasion craft straight into murderous reefs. Thurlow, seeing that the Marines have no idea what they are getting into, joins the troops and is quickly involved in one of the bloodiest battles of the war. He, his fellow Outer Banksman Bosun Ready O’Neal and a handful of Marines make it out alive, spirited off to the islands of the Far Reaches. They have been rescued by a band of islanders led by Sister Mary Kathleen, who has already escaped the Japanese once and is dead set on going back to settle things with her former captors. When the outriggers land the little fleet on the Far Reaches, it takes no more than a few minutes for them to succumb to the charms of the islands and the islanders. But Sister Mary Kathleen, with whom O’Neal is hopelessly in love, will not let anyone forget her mission to invade the main island where she endured captivity and fell from grace.

Excellent war and, when the guns aren’t firing, equally fine peace.

Pub Date: June 1, 2007

ISBN: 978-0-312-33475-8

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2007

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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