More than a few too many characters, subplots, and themes muffle the impact of this grandiose historical picaresque by the Mexican author of the previously translated and essentially similar 1492 (1991). Aridjis's narrative is divided into 27 ``visions'' seen, and relayed to the reader, by Alfonso de LÇon, a monk whose dedication to his vocation as an illuminator of manuscripts does not protect him from yielding frequently to carnal desires or from the threat of a bloody reunion with his malevolent twin brother, Abd Allah of Cordova, a powerful warrior member of the Saracen armies whom Alfonso and his brethren devoutly believe ``will annihilate all Christendom before the year 1000 comes to an end.'' The novel begins in a confusing welter of unrelated scenes, then settles for a time into a chronological account of the twins' birth (to a Moorish Caliph's concubine), their upbringing and education, and the separate paths their warring temperaments set them on. Then we're swiftly cast back to a kaleidoscopic landscape delineated with apocalyptic imagery and numbingly explicit descriptions of sexual acts and physical violence, and populated by assorted minstrels, pilgrims, hermaphrodites, and such laboriously fabricated grotesques as Isidoro, the Messiah of the Poor, a kind of Marxist Lord of Misrule reputed to possess ``a celestial letter signed by the Lord Jesus, which...authenticated him as the true Son of God.'' We feel the book straining to impress its readers (the addition of a nine-page Bibliography seems, shall we say, a trifle pretentious?). Eventually, though, the conflict between the brothers resurfaces, then climaxes in battle, finally determining whether Alfonso indeed is ``the Lord of the Last Days'' who will bind up the Evil One, thus preserving the Christian faith for another thousand years. The seed of a powerful fiction here becomes drenched early on by melodramatic fustian, and never grows into anything remotely resembling a coherent novel.
Pub Date: Sept. 15, 1995
ISBN: 0-688-14342-3
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1995
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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