The characters’ concerns lead to some provocative ideas and discussions, which can get lost in the meandering narrative.
Michael, his companion Janet, their son, David, and their friends continue their adventures while searching for philosophical and scientific truth in the latest installment of Dimond’s (Return of the Light Prince, 2010, etc.) series.
Michael’s latest adventure begins at the ceremony marking the union of his close friend and confidant John Bran, better known as “Oats,” and his beloved Marmuron. The joyous occasion is also a time of curiosity and reflection as Oats is also exploring Isaac Newton’s theories of gravity and motion. Oats’ discoveries have significant implications for humanity, and he’s eager to share them with his friends. Oats and Marmuron aren’t the only ones enjoying a fulfilling union. Princess Urundayy, also known as Uri, is growing closer to her friend Herron, but she needs to be certain he’s the right one for her before she forms a union with him. Uri’s romantic dilemma coincides with an important new mission: She’s been asked to assist with the formation of a new sanctuary that will unite and protect the animal population. Michael also continues his analyses of the theories of Newton and Charles Darwin with his closest friends in an attempt to re-establish balance in the universe. Dimond’s fast-paced narrative thoughtfully explores a number of ideas and concepts. The strongest element of the novel is the concerns the characters share for understanding the universe and protecting the most vulnerable elements of society. Michael is a likable protagonist surrounded by an extensive supporting cast, including Janet and the young lovers, Uri and Herron. Dimond explores a plethora of ideas in the novel; however, many of the chapters feel truncated, ending just when it looks like a character is going to reveal a significant detail. Sharper editing could have helped refine the story’s focus and clear up confusion regarding some of the characters’ names; for example, one character is referred to as Megs, Meg and Meg’s.
The characters’ concerns lead to some provocative ideas and discussions, which can get lost in the meandering narrative.Pub Date: March 12, 2014
ISBN: 978-1493135653
Page Count: 266
Publisher: Xlibris
Review Posted Online: Nov. 14, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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