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GOD'S KINGDOM

No Catcher in the Rye angst here. Instead you'll find a welcome dose of nostalgic realism laced with hard-edged wisdom.

Mosher (The Great Northern Express, 2012, etc.) finds a coming-of-age story in God’s Kingdom, "up in the little known mountains of northern Vermont hard by the Canadian border."

The tale follows Kinneson fathers and sons across the centuries, as revealed by the curiosity of high schooler and budding writer Jim Kinneson during the early 1950s. Described in Prairie Home Companion–like storytelling chapters, the Kingdom Kinnesons originate with Charles, who trekked into "Territory but Little Known" in 1759 and led a massacre of Abenaki Indians, only to return later and marry Molly Molasses, an Abenaki. In the early 19th century, "Abolition Jim" Kinneson was killed by federal troops because he led God's Kingdom to secede from the United States over the issue of slavery. In blackly comic stories, often melancholy or ripe with realism, characters are shaped by a land of isolated beauty, where winter weather can linger far below zero. Teetotaling Kinnesons once operated the Water of Life whiskey distillery, and they live on the "farm that wasn’t," which only begins to flourish in Jim's time under the stewardship of the itinerant Black Canadian Dubois family. Sadly, it’s young Gaëtan Dubois, math genius and hockey demon, who learns "the great dangers of this place they called God’s Kingdom lay closer to home." Amid hunting and fishing, baseball and school, Jim falls in love with a beautiful girl from the Île d’Illusion, worships his grandfather, and uncovers the ugly truth about "the trouble in the family" between great-grandfather "Mad Charlie" and his best friend, the Rev. Doctor Pliny Templeton, an escaped slave, Princeton seminary graduate, war hero, and founder of Kingdom Common Academy.

No Catcher in the Rye angst here. Instead you'll find a welcome dose of nostalgic realism laced with hard-edged wisdom.

Pub Date: Oct. 6, 2015

ISBN: 978-1-250-069481

Page Count: 240

Publisher: St. Martin's

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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