Next book

WHAT IS LEFT THE DAUGHTER

It is extraordinary that a story which carries such a weight of sorrow is never depressing, but Norman the master craftsman...

Norman (best known for The Bird Artist, 1994) scores again with this gripping account of a family ripped apart by obsession and murder.

In format, the novel is a long letter written by Wyatt Hillyer to Marlais, the daughter he scarcely knows, to explain the “terrible incident” that has kept them apart. But Wyatt must start with something equally terrible. In 1941, when he was 17, in Halifax, Nova Scotia, his parents jumped to their deaths from separate bridges; they were unhappily in love with the same woman. Wyatt leaves Halifax to live with his Uncle Donald, Aunt Constance and adopted daughter Tilda in their small town, and becomes apprenticed to his sled-making uncle. The hoped-for sanctuary is anything but. Wyatt has exchanged his parents’ erotic obsession for his uncle’s obsession with German U-boats swarming beneath the Atlantic; on top of that, he is now an unhappy lover himself, yearning for Tilda. It is his rotten luck that Tilda should have fallen for Hans Mohring, a German philology student. Wyatt accepts his fate as the rejected suitor—no histrionics for him. Meanwhile the news that Constance, on a ferry, is among the latest U-boat victims, catapults Donald into madness. He murders Hans (already married to Tilda) and has Wyatt help him dump the body in the ocean. Donald confesses and gets life; Wyatt, morally innocent but legally culpable, draws a short sentence. After his release, he makes love to the bereft Tilda, just once. In time Tilda will move with their baby Marlais to Denmark, home to Hans’s parents; now, in 1967, Wyatt is making full disclosure to his grown daughter. Though himself a victim twice over, and still feeling the pain of his parents’ deaths, he has never complained. Norman has developed this brave, emotionally reticent man with great delicacy.

It is extraordinary that a story which carries such a weight of sorrow is never depressing, but Norman the master craftsman pulls it off.

Pub Date: July 6, 2010

ISBN: 978-0-618-73543-3

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: May 1, 2010

Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Close Quickview