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OUT AFTER DARK

Powerful, funny, and moving: an effortless series of incidents full of droll wisdom.

Strong, original, wrenching account of growing up out of wedlock in a small Irish town, by memoirist (Home Before Night, 1980) and playwright (Da) Leonard.

Leonard writes with an elegant Irish accent, and his evocation of place is uncanny. Like Flann O'Brien, he writes about the town of Dalkey a great deal, often with a marvelous sense of humor. (Priests especially rouse him to outstanding efforts.) Irony and farce are everywhere, along with a calm, unblinking acceptance of human nature. His mother's periodic alcoholism (coinciding with the Christmas season) is a powerful, fully faced moment, and the dogged pursuit of sexual congress is an ongoing obbligato that evokes Dylan Thomas and a world long gone. ("I'm Protestant,'' says one promising lass, having deduced his Catholicism, and walks off with a smile; another girl's dying father struggles out of bed to investigate.) The bedrock is Leonard's long, hard, Horatio Alger climb from the ultimate obscurity of unwanted bastardy. From success in school exams and the start of a civil-service career (which represents as much success as he and his family could ever reasonably expect), Leonard struggles forward via tiny, hilarious, amateur provincial theater groups, drunk on whatever writer he is reading at the moment. All the while, his ambiguous origins (even as a child he is known by two names) mark him, as such things do in small communities. He makes it anyway.

Powerful, funny, and moving: an effortless series of incidents full of droll wisdom.

Pub Date: Aug. 15, 1991

ISBN: 0-233-98474-7

Page Count: 192

Publisher: Andre Deutsch/Trafalgar

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1991

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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