The Irish playwright Leonard (the Tony-winning Da; two memoirs, Home Before Night and Out After Dark) turns to fiction with a witty, glitteringly dramatic treatment of the by-now mythic love affair of Charles Stewart Parnell (1846-91), the Irish leader who fired the drive for Home Rule, and English-born Kitty O'Shea. The affair eventually ended Parnell's leadership and shattered the unity of the Irish party in Parliament. Kitty O'Shea married handsome Willie—the vain, weak, and shifty son of a Dublin solicitor who had edged into Parliament from County Clare—through a regrettable impulse, and now, at 35, she feels ``hardly used'' by life. The meeting with tall, gaunt, ailing Parnell (the lion she had not yet netted for a dinner party) is as brief as the swing of a sluice gate—the two adamantine egos are well matched. Leonard's Parnell, who, growled the Irish Secretary, ``cold-bloodedly incited the Irish to peace,'' detests the noisy adoration of ``dear old Ireland'' and has the aristocratic pride of Lucifer ``who chose to fall sooner than serve.'' Kitty, who insists that Parnell carry the generally detested Willie on his coattails because she needs a husband of status, declares, ``Not because I care for him. I care for myself!'' Meanwhile, whether in cool amusement or cold fury, Parnell, the brilliant political tactician, collects thorny victories—and enemies, principally among his most devoted lieutenants. No slouch at tactics herself, Kitty at one point skewers Willie, who finally learns that two of their children are Parnell's, and loses a legacy. There are runnels of scandal, divorce, marriage, and the Irish party ``takes its own life.'' First-class portraiture—from the Grand Old Spider Gladstone to Tim Healy, a ``lover betrayed,'' and, of course, the lovers themselves, brilliantly realized, who labor on through mighty times.

Pub Date: May 1, 1991

ISBN: 0-689-12127-X

Page Count: 256

Publisher: Atheneum

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1991

Did you like this book?

No Comments Yet

An enjoyable, cozy novel that touches on tough topics.


A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

Did you like this book?

A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Did you like this book?