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DISGUISE

Hamilton is a graceful stylist, but he can’t quite make the details of Gregor’s life cohere into a resonant tale of one...

An aging man grapples with his past and with a family that questions his life story.

Hamilton has focused on the psychological displacement created by World War II in memoirs (The Harbor Boys, 2006, etc.) and novels (Sad Bastard, 1999, etc.), and he returns to that difficult terrain in the opening pages here. Three-year-old Gregor Liedmann is killed as the Allies bomb Berlin in 1945, and his distraught mother, Maria, roams the streets hoping to find him. No luck, but she and her father find another young boy, seemingly abandoned with “no records, no documents, no indication what happened to him or how he got here.” Fast-forward to the present day: Gregor is an esteemed musician and composer hoping to reconnect with his estranged wife, Mara, and his idealistic son, Daniel. The setting is a pastoral orchard south of Berlin, but a lot of anger thrums under surface. In flashbacks, we learn that Gregor strained to separate himself from his parents after learning of his adoption, a tense situation that prompted Mara to find Gregor’s adoptive mother in hopes of reconciliation. That goes badly: Maria insists that Gregor is her biological son, arguments ensue, and Gregor is soon off to Ireland to wash his hands of his wife, mother and child. Relationships have ended over less, but Hamilton never quite sells this split, mainly because his characters aren’t filled out especially well. His earnest book feels unfinished, an impression reinforced by a plethora of underwritten secondary figures—particularly Daniel, who exists mainly to remind Gregor (and the reader) of his abandonment. Though the story moves toward a final reckoning, the closing revelation is underwhelming.

Hamilton is a graceful stylist, but he can’t quite make the details of Gregor’s life cohere into a resonant tale of one man’s identity crisis.

Pub Date: Dec. 2, 2008

ISBN: 978-0-06-078468-3

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2008

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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