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BEAUTIFUL THINGS

A MEMOIR

Sometimes moving, sometimes funny, often horrifying, thoroughly heartfelt, and believable.

A memoir of addiction, family, and loss from the president’s son.

For much of his life, fate seemed to be trying to take Biden down, and he did his share to help it along. On the not-his-fault side were the tragic car accident when he was 2, which critically injured him and his older brother, Beau, and took the lives of their mother and sister; Beau's heartbreaking death at 46; and the nightmare of Donald Trump's relentless campaign to weaponize Hunter against his father. The author’s own major contribution to his troubles arose from his addiction to crack. His engrossing account of his downward spiral brings to mind Bill Clegg's Portrait of the Addict as a Young Man (2010), as Biden chronicles his battles with the “terrorizing band of skeletal night riders—the Four Horsemen of the Crackocalypse.” Sparing no detail, he ranges from the sardonic—while recounting his efforts to find crumbs of crack in the carpet, he writes, "I've smoked more cheddar popcorn than anyone on earth"—to the ruefully insightful: "Once you decide you're the bad guy everyone thinks you are, it's hard to find the good guy you once were." Looming over the narrative is the ultimate good guy, Beau, who didn't drink or take drugs and appears entirely pure in heart and mind. Though Hunter's addiction began long before Beau's death, the loss of his brother broke him. One of the hardest things to read about is the attempt by Hunter and Beau's widow, Hallie, to deal with their loss by becoming a couple. Difficult to read for different reasons is the chapter on Hunter’s Ukrainian business connections, which form the basis of Trump’s attacks and the "Where's Hunter" movement. The granular details shared here seem to bear out the author’s assessment that the whole episode is “most remarkable for its epic banality." When he was just about to cash in his chips for good, fate had one more surprise for Hunter, this one a stroke of Cupid’s magic.

Sometimes moving, sometimes funny, often horrifying, thoroughly heartfelt, and believable.

Pub Date: April 6, 2021

ISBN: 978-1-982151-11-9

Page Count: 272

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: April 5, 2021

Kirkus Reviews Issue: May 1, 2021

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WAR

An engrossing and ominous chronicle, told by a master of the form.

Documenting perilous times.

In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”

An engrossing and ominous chronicle, told by a master of the form.

Pub Date: Oct. 15, 2024

ISBN: 9781668052273

Page Count: 448

Publisher: Simon & Schuster

Review Posted Online: Oct. 15, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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