A WORKING STIFF’S MANIFESTO

A MEMOIR

A raucous memoir of odd jobs and unhappiness by an author who is more drifter than working stiff.

Willing to up-end his life for a shot at earning a few bucks, Levison finds himself by turns a trucker trainee, a fish cutter, an oil deliveryman, and a film-set gopher. He encounters each job at once dutifully and passively, accepting the need for work and working willingly enough, yet never staying with anything beyond three months. This, Levison claims, is a result of having majored in English, which has no practical application. Thus every job is either one he “can’t get” or “doesn’t want”; rather than stay with one thing he doesn’t like, Levison varies the experience. When a job at a high-end food market grows old, he pirates cable professionally. Later, he works for weeks packing crabmeat on a rusty Alaskan tanker. Like David Sedaris in Naked, Levison is able to show each job as both funny and pathetic. Perhaps the best moment comes when he bungles a delivery of home-heating oil. Holding instructions that read “Fill at the donkey’s nose,” he assumes that a statue of a donkey in the front yard is, in fact, the receptacle and stuffs the oil gun up one of its nostrils. The donkey explodes from pressure. He later finds the intended oil tank beside the donkey and realizes, as he explains to his boss, that “fill” is a noun as well as a verb. Unlike Sedaris, however, Levison offers the reader no narrative arc. In addition, “manifesto” is a misnomer for something that asserts no beliefs and recommends no course of action. Levison is a nihilist who can only complain. Though he has yet to find a job he likes, he is accepting of careerists, seems to support capitalism, and other than wishing he hadn’t wasted his money on college, harbors few regrets.

Amusing but punch-less.

Pub Date: April 1, 2001

ISBN: 1-56947-280-7

Page Count: 176

Publisher: Soho

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2002

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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