A witty, deft, well-conceived tale that combines sharp satire with real suspense.
A black comedy about an unemployed factory worker who becomes a hit man, by the author of A Working Stiff’s Manifesto (2002).
Like many others in his blue-collar Wisconsin town, Jake Skowran worked for the tractor factory until management went south and found Mexicans to do the same jobs for seven bucks a day. Laid off, Jake took a job as a convenience-store clerk that barely paid enough to keep him alive. So he started gambling to pick up extra cash—and soon owed over $4,000. His bookie Ken Gardocki had a good heart, however, and he’d known Jake a long time, so he cut him a deal: Jake could wipe out his debt if he murdered Ken’s unfaithful wife for him. Happy to oblige, Jake found killing a lot easier than he expected—so easy, in fact, that later he bumped off his store manager just for the thrill of it. Then he traveled to New York on assignment to dispatch an AIDS patient who needed to die of unnatural causes (so his boyfriend could collect insurance), and he even knocked off an undercover cop who’d begun asking too many questions about him and Ken. When the police eventually take notice and call Jake in for questioning, he holds to his story (Ken had provided solid alibis for both of them), and they can’t pin anything on him. In the course of his dealings with the cops, Jake meets and falls in love with Officer Sheila Zadow, who knows that Ken is a small-time mobster but believes Jake is innocent. Jake even takes her “on vacation” to Miami, where Ken has sent him to whack his late wife’s lover. What better cover can a hit man have than a cop for a girlfriend? But love has had a bad effect on Jake: it gives him something to live for—almost as bad as having a conscience.
A witty, deft, well-conceived tale that combines sharp satire with real suspense.Pub Date: April 1, 2003
ISBN: 1-56947-335-8
Page Count: 192
Publisher: Soho
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2003
BOOK REVIEW
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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