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AMERICAN SMOKE

JOURNEYS TO THE END OF THE LIGHT

Melding reportage and memoir, this gossipy, idiosyncratic cultural history offers a fresh, unvarnished look at an eccentric,...

An intrepid British writer takes to the road in search of the Beats.

Poet, essayist, documentarian, filmmaker, editor and novelist Sinclair (Ghost Milk: Recent Adventures among the Future Ruins of London on the Eve of the Olympics, 2012, etc.) first read the Beats in the 1960s, when he was a teenager in Dublin. Later, he discovered “how tribal and interconnected the American countercultural scene actually was: everybody met everybody….They feuded, fought, formed intense friendships, sulked for generations.” To understand the texture and force of the Beats’ community, Sinclair embarked on a journey, following in the peripatetic and woozy footsteps of Malcolm Lowry, Jack Kerouac, Gregory Corso, William S. Burroughs, Allen Ginsberg, and assorted other writers and their friends, lovers, publishers and acolytes. With an eye for the telling vignette and a deft talent for the “rapid-sketched” portrait, Sinclair counters what he calls “Beat Generation revivalism [that] threatens to turn the whole circus into another Bloomsbury Group.” In the seaside city of Gloucester, Mass., he picked up the trail of poet Charles Olson, a large man with an overpowering presence and “a rumbling voice thick with smoke, sweat dripping, black eyebrows emphatic.” Ginsberg emerges as a kind of Ancient Mariner, “with his glittering eye, his gleaming cranium and shamanic red silk shirt,” responding to questions with well-rehearsed anecdotes involving Olson, Burroughs, and even Paul McCartney and Mick Jagger. Lawrence Ferlinghetti, “in broad-brim jungle hat, is an audition for the granddad of Indiana Jones.” Although drugs, alcohol and sex were the vices of choice for all the Beats, Sinclair notes a difference between those in New York (“peppery, competitive”) and the “cooler cats” in California, who were drawn to Buddhism. “What mattered most to the Beats,” Sinclair writes, “was the intensity of visionary experience.”

Melding reportage and memoir, this gossipy, idiosyncratic cultural history offers a fresh, unvarnished look at an eccentric, brash and dynamic cast of literary rebels.

Pub Date: April 15, 2014

ISBN: 978-0-86547-867-1

Page Count: 352

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: Jan. 28, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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