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AMERICAN SMOKE

JOURNEYS TO THE END OF THE LIGHT

Melding reportage and memoir, this gossipy, idiosyncratic cultural history offers a fresh, unvarnished look at an eccentric,...

An intrepid British writer takes to the road in search of the Beats.

Poet, essayist, documentarian, filmmaker, editor and novelist Sinclair (Ghost Milk: Recent Adventures among the Future Ruins of London on the Eve of the Olympics, 2012, etc.) first read the Beats in the 1960s, when he was a teenager in Dublin. Later, he discovered “how tribal and interconnected the American countercultural scene actually was: everybody met everybody….They feuded, fought, formed intense friendships, sulked for generations.” To understand the texture and force of the Beats’ community, Sinclair embarked on a journey, following in the peripatetic and woozy footsteps of Malcolm Lowry, Jack Kerouac, Gregory Corso, William S. Burroughs, Allen Ginsberg, and assorted other writers and their friends, lovers, publishers and acolytes. With an eye for the telling vignette and a deft talent for the “rapid-sketched” portrait, Sinclair counters what he calls “Beat Generation revivalism [that] threatens to turn the whole circus into another Bloomsbury Group.” In the seaside city of Gloucester, Mass., he picked up the trail of poet Charles Olson, a large man with an overpowering presence and “a rumbling voice thick with smoke, sweat dripping, black eyebrows emphatic.” Ginsberg emerges as a kind of Ancient Mariner, “with his glittering eye, his gleaming cranium and shamanic red silk shirt,” responding to questions with well-rehearsed anecdotes involving Olson, Burroughs, and even Paul McCartney and Mick Jagger. Lawrence Ferlinghetti, “in broad-brim jungle hat, is an audition for the granddad of Indiana Jones.” Although drugs, alcohol and sex were the vices of choice for all the Beats, Sinclair notes a difference between those in New York (“peppery, competitive”) and the “cooler cats” in California, who were drawn to Buddhism. “What mattered most to the Beats,” Sinclair writes, “was the intensity of visionary experience.”

Melding reportage and memoir, this gossipy, idiosyncratic cultural history offers a fresh, unvarnished look at an eccentric, brash and dynamic cast of literary rebels.

Pub Date: April 15, 2014

ISBN: 978-0-86547-867-1

Page Count: 352

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: Jan. 28, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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