Next book

GHOST MILK

RECENT ADVENTURES AMONG THE FUTURE RUINS OF LONDON ON THE EVE OF THE OLYMPICS

Loquacious, raving and madly provocative.

The nimble London-based author offers a loose-limbed set of disgruntled observations on the massively disruptive development that became the 2012 Olympic Village.

A resident of Hackney, in the area of London that has been destined for transformation by the Summer Olympics, Sinclair (Hackney, That Rose-Red Empire: A Confidential Report, 2009, etc.) has watched the development over the past few years with consternation and alarm. The heart of the area is Stratford, once a shambling, marshy mess of loading docks called Chobham Farm, where the author, then a fledgling poet and college graduate, worked as a day laborer in 1971. His first essays form a poignant reflection on this now-lost world of scrappy young transients eking out a hand-to-mouth existence unloading sea containers and loading lorries. Subsequently, the area was seized by what Sinclair believes was a nefarious “intimate liaison” between government and development, in a manner he compares both to the German model and to the Chinese system (in one chapter, a Chinese poet now living in London reflects on the similar “destruction of history” he witnessed in Beijing in preparation for the 2008 games). In “Ghost Milk,” the author examines the disturbance of long-settled industrial waste on the multi-acre site, which provoked an ecological disaster. Sinclair is a veteran trekker among the urban wasteland. Inspired by Peter Ackroyd’s 2007 film Thames: Sacred River, as well as by the work of J.G. Ballard, he took off by foot for a river walk to Oxford; more ambitiously, he traveled to the former Olympic sites in Berlin and Athens and to the Ballard holdings at the Harry Ransom Center in Austin, Texas. American readers will be alternately delighted and disoriented by Sinclair’s spastic, giddy literary circumambulations.

Loquacious, raving and madly provocative.

Pub Date: July 24, 2012

ISBN: 978-0-86547-866-4

Page Count: 416

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: July 20, 2012

Kirkus Reviews Issue: May 15, 2012

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Awards & Accolades

Likes

  • Readers Vote
  • 18


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 18


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Close Quickview