There’s more chaff than wheat in this uneven book.
A collection of 15 short and rough-edged stories, first published in the U.K.
The contributing writers were asked to pen stories that would make good travel reading. The editor favors first-person narrators, some of whom just want to vent. There’s the female attendant in an underground restroom (“In Attendance,” by Paula Rawsthorne), who, after losing home and husband, lives illegally in a supply closet; the tale’s grimness feels self-indulgent. Almost as grim but much more lively is the Asian-British cab driver’s situation in M.Y. Alam’s “Taxi Driver”; he’s working in a part of Yorkshire unsettled by the arrest of terror suspects. The young widow in Tania Hershman’s “On a Roll,” rather than bemoaning her fate, actually has a story to tell, and it’s a good one, about a dream on a transatlantic flight and its outcome in a Vegas casino. Another engaging story, the cream of the crop, is Sophie Hannah’s “Always Swing Upright.” Sonia is traveling by train to give a lecture on happiness; her eventful journey will reveal that, for her, the greatest rush comes from an act of pure folly. Far less successful are the portraits of a lesbian, consumed by airport angst, waiting for the return of her lover (“Missing You,” by Rosa Ainley), and the addled museum ticket clerk with a whimsical project (“Aubrey,” by Alexis Clements). The third-person narratives don’t fare well either. The meeting between biological father and the son he gave up for adoption in “Side Exit,” by Daithidh MacEochaidh, is too heavy-handed, as is Nathan Ramsden’s “The Categories of Ernest Bookbinder,” about a man headed for the asylum. The husband and wife whose marriage is breaking up in Penny Aldred’s “It’s a Hard Rain,” meanwhile, are too generic. Hats off, though, to Anthony Cropper; his very short “Love of Fate,” almost all dialogue, is a perfect snapshot of a small boy and one of his mother’s lovers enjoying each other’s company.
There’s more chaff than wheat in this uneven book.Pub Date: Jan. 10, 2008
ISBN: 978-1-901927-28-3
Page Count: 224
Publisher: Dufour
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2007
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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