Zoboi’s poetic retrospective breathes life into Black history narratives and reverently celebrates Black lives.
A lyrical history of African American life that also explicates the seven principles of Kwanzaa.
Opening with Africans from many ethnic groups being ripped from their homelands in the midst of births, deaths, storytelling, and other daily occurrences, this immaculately illustrated picture book walks through a vast swath of history. This includes the Atlantic slave trade, the plight and escape of enslaved people, emancipation, northern migration, faith journeys, and more, ending with the Movement for Black Lives. Zoboi’s lyrical free verse, with occasional subtle rhymes, always speaks boldly about the lives, trials, and successes of African American people. The refrain the people remember emphasizes how memories are passed down from one generation to the next, be they positive or otherwise. Figures like Mami Wata center Africa and the African diaspora—necessary for explaining the Kwanzaa principles within the narrative. Wise’s humans, somewhat reminiscent of Jacob Lawrence’s, feel big and expansive in proportion to their surroundings, representing the outsized impact African Americans have had on United States history and culture, whether acknowledged or not. Rich, deeply saturated illustrations cover every page and show how integral African Americans have been to the creation and growth of the arts. Extensive backmatter will ground readers in the facts and spark interest for further research. (This book was reviewed digitally.)
Zoboi’s poetic retrospective breathes life into Black history narratives and reverently celebrates Black lives. (author's note, timeline, further reading) (Picture book. 7-adult)Pub Date: Sept. 28, 2021
ISBN: 978-0-06-291564-1
Page Count: 64
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: July 29, 2021
Kirkus Reviews Issue: Sept. 1, 2021
PERSPECTIVES
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A breezy, bustling bucketful of courageous acts and eye-popping feats.
Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
