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WILD MULBERRIES

A messy work that will not enhance Younes’s reputation.

Set in 1930s Lebanon, this short formless offering from the Lebanese author of B as in Beirut (2007) is a diffuse mood piece until it lurches into a helter-skelter chronicle of domestic upheaval.

Sarah is a lonely, unhappy adolescent, the only child of her father’s second marriage. She lives in a large house in a Lebanese village with her father, her half-brother and her aunt; the two men loathe each other. She pines for her mother, who vanished when she was very young; her life is defined by her absence. Her wealthy landowning father, over 60, is cold and distant, tending to his silkworm business; her aunt Shams is a scold; only her half-brother hugs and kisses her. Sarah spends much of her time daydreaming in a walnut tree until she breaks her leg and is bedridden for two months. The silkworm business occupies the foreground, as her father bullies the migrant workers and deceives his foreman with empty promises. Rumors and tensions abound. Did Sarah’s father swindle his father-in-law out of his lands? Was that why her mother left him? Christian missionaries come calling, offending Shams, a strict Druze. Sarah’s teacher, an Englishwoman, is sending love-letters to her brother. Suddenly, without foreshadowing, Sarah is a young woman in love, exchanging passionate kisses with her brother’s friend Karim, who works for a British oil company. Skipping the courtship, Younes marries them off and sends them on a business trip to England. Sarah tracks down a friend of her mother’s, but her memory’s gone. Back in Lebanon she gives birth to a daughter; the birth comes on the heels of her father’s death. All that emerges with clarity from this crush of events is Sarah’s realization that her quest for her mother has been a waste of time and that a change of scene solves nothing.

A messy work that will not enhance Younes’s reputation.

Pub Date: July 1, 2008

ISBN: 978-1-56656-700-8

Page Count: 224

Publisher: Interlink

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2008

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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