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TUSCANY FOR BEGINNERS

A fresh, fearless voice takes no prisoners.

A U.S. debut by British author Edwards-Jones skewers a provincial ex-pat community toughing it out amid the sensuous wilds of Tuscany.

For five years, 40-something Belinda Smith has owned and operated a fairly high-end B&B in the rarefied Tuscan valley of Val di Santa Caterina, near the town of Poggibonsi. A snobbish, petty divorcée from the “dull dormitory town” of Tilling, England, which she fled upon discovering her husband in bed with a neighbor, Belinda prides herself on her thoroughly affected Italian way of life. She spies on her ex-pat neighbors from her terrace perch, mangles Italian phrases, abuses the help as well as her small, neat daughter, Mary, 20, who has been fired from her London job and is spending the summer helping Mum for the busy tourist season. Belinda, in truth, is a misanthrope, can’t stand children or smokers anywhere near her place, weeds out the riff-raff by the nature of their Internet queries, steams labels off jam jars to deceive her guests, and spends most of her day drinking gallons of wine at the local watering-hole with fellow sodden ex-pats such as Manchester ladies’ underwear manufacturer Derek, his wife Barbara and alcohol-fueled novelist Howard Oxford, who has suffered writer’s block since his bestseller in the ’80s. She also offers entries from her chirpy diary and corny recipes from “Casa Mia.” When the neighboring Casa Padronale is purchased by an American, no less, Belinda instantly switches into battle action to subvert any attempt at a rival B&B. Owner Lauren, it turns out, made her money in hostile takeovers on Wall Street, and she chews up Belinda like a stick of gum—all while her handsome Yalie son, Kyle, courts the modest and dutiful Mary. Edwards-Jones has fashioned a near-bloody satirical stab at the sentimental Under the Tuscan Sun set, both American and English—with a result quite winning.

A fresh, fearless voice takes no prisoners.

Pub Date: April 26, 2005

ISBN: 0-345-47880-0

Page Count: 336

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2005

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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