An uproarious and endearing Iranian novel, first published in Iran over twenty years ago, which became the basis for a highly popular television series. The story tells of an unruly extended family, living within and around a walled enclave in Tehran in the early 1940s—and specifically of said family's domination by its ``Dear Uncle Napoleon'' (the portentous rubric by which its fussbudget megalomaniac despot is addressed) as observed and recorded by Uncle's unnamed nephew, whose idealistic love for his beautiful cousin Layli forms one of the two major plotlines here. The other is Uncle's paranoid conviction that all evil flows from his country's ill-advised friendliness with foreign nations, especially Great Britain (the story is set at a time when England and Russia separately schemed to control Iran's oil resources, and preferential trade status was granted the hated British by an impoverished national treasury). Uncle is a brilliant comic creation, whose monstrous egomania and folly are shown all the more powerfully through his unjudging nephew's (usually averted) eyes. Neither his false claim of military heroism nor the fulsome letter he composes to Adolph Hitler (describing his own resistance to British colonialism and soliciting the FÅhrer's protection), significantly ruffles the novel's essential sunniness and serenity. And Pezeshkzad surrounds his memorable antihero with a gallery of superbly drawn supporting characters: Mash Qasem, the resourceful servant who plays pragmatist Sancho Panza to Uncle's self-absorbed Don Quixote; henpecked Dustali Khan, whose fear of his shrewish wife Aziz is vividly exacerbated by an almost Bobbitt-like marital misadventure; and Deputy Taymur, a choleric police investigator who discovers labyrinthine plots in every innocent passing remark, and provides a hilarious counterpart and parallel to Uncle's embattled dignity. Our own paranoid image of Iranians as bomb-toting fanatics looking for Salman Rushdie under every rug might just be altered by this wonderful comic novel, one of the most entertaining books we're likely to see this year.
Pub Date: July 1, 1996
ISBN: 0-934211-48-5
Page Count: 528
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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