An impressive, wide-ranging collection of a region’s creative voices.
This 10th-anniversary edition of a literary journal features award-winning work in multiple genres by members of the South Carolina Writers’ Association.
The SCWA’s founder and board member, Carrie Allen McCray, contributed to a flush of literary activity in South Carolina before her death in 2008 at age 94. Her own interest in Southern subjects fits with the first award-winning entry here, Skip Shockley’s “Samuels’ Gold,” the lead chapter of a novel that focuses on a post–Civil War heist. Although the period details of the 1865-set narrative bring readers believably to the coast of Florida, setting them down in the midst of a murder plot, the pacing requires some patience. (Perhaps life and fiction move more quickly now.) The more contemporary stories, however, conjure vivid scenes and lessons. In Kasie Whitener’s “Cover Up,” a middle-aged woman gets her old tattoo touched up and feels a desire for the tattoo artist but ultimately finds a relationship with her wilder, vulnerable 19-year-old self. In Jayne Bowers’ “Come On, Sweet Boy,” a grandmother tells about her daughter’s experience with a difficult birth in a tale that squeezes the heart without recourse to sentiment or exaggeration. A clear bit of memoir, Bob Strother’s “Friends in the Wind,” concludes that it would be nice to hear the voice of an old friend, who would understand “that our wilting body is a joke of recent vintage, and not everything we have ever been.” However, the present day doesn’t escape scrutiny. The poem “Chatter through the Ether” by Michael Crowley, for example, worries about the cellphone generation with their “plastic talismans”; missing out on the beauty of the world, they appear crazed: “Our captains of the ether sail on / certain that constant chatter equals living. / In earlier generations only / the deranged walked helter-skelter down streets // shouting into the ether.” Many of the other entries also portray persuasive narrators and engaging revelations. Adrienne Mathues’ “The Waltz,” for example, a charming nonfiction piece on the struggle of learning the tango, dances toward a quiet but powerful exhilaration.
An impressive, wide-ranging collection of a region’s creative voices.Pub Date: Nov. 25, 2016
ISBN: 978-1-5394-8987-0
Page Count: 158
Publisher: CreateSpace
Review Posted Online: March 1, 2017
Kirkus Reviews Issue: April 1, 2017
Review Program: Kirkus Indie
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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