by Iréne Nèmirovsky & translated by Sandra Smith ‧ RELEASE DATE: April 18, 2006
A valuable window into the past, and the human psyche. This is important work.
Acclaimed in France and the U.K., here are two sections of a hugely ambitious novel about World War II France, plus authorial notes and correspondence; the remaining three sections were never written, for the already established Russo-French-Jewish author died at Auschwitz in 1942.
These sections should be seen as movements in the symphony Némirovsky envisaged. Part one, Storm in June, follows various civilians fleeing a panicky Paris and a victorious German army in June 1940. Here are the Péricands, middle-class Catholics, secure in their car; Madame offers charity to refugees on foot, but strictly for show. There is Gabriel Corte, famous writer and “privileged creature” (so he thinks); Charles Langelet, the ice-cold aesthete who steals gasoline from innocents; Corbin, the obnoxious bank director who forces his employees, the Michauds, out of his car. They can handle that; they’re an admirable couple, sustained by their humility and mutual devotion. What interests Némirovsky is individual behavior in the harsh glare of national crisis; keeping the Germans in the background, she skewers the hypocrisy, pretension and self-involvement of the affluent Parisians. There is no chaos or cross-cutting between multiple characters in part two, Dolce. Here the focus is on one middle-class household in a village in the occupied zone in 1941. Madame Angellier agonizes over her son Gaston, a POW; her daughter-in-law Lucile, who never loved him (he kept a mistress), is less concerned; the women co-exist uncomfortably. Tensions rise when a young German lieutenant, Bruno, is billeted with them; he and Lucile are drawn to each other, though they do not become lovers. Then another complication: Lucile agrees to shelter a peasant who has shot a German officer. An honest soul, Lucile is forced into duplicity with Bruno; Némirovsky relishes these crisis-induced contradictions. Her nuanced account is as much concerned with class divisions among the villagers as the indignities of occupation; when the soldiers leave for the Russian front, the moment is surprisingly tender.
A valuable window into the past, and the human psyche. This is important work.Pub Date: April 18, 2006
ISBN: 1-4000-4473-1
Page Count: 416
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2006
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BOOK REVIEW
by Iréne Nèmirovsky translated by Sandra Smith
BOOK REVIEW
BOOK REVIEW
by Iréne Nèmirovsky & translated by Sandra Smith
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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SEEN & HEARD
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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