A compassionate portrait of a mother aching with regrets yet brave enough to fight for her family.
Six years ago, Nadia left her only daughter, Larisska, behind in war-torn Ukraine. Since then, she’s tried to bring her daughter to America, but she fears the reunion may bring even more problems.
Back in Ukraine, Nadia worked as a bookkeeper for a pipe manufacturing company, a job that not only helped her pay the bills, but also brought a dashing midlevel manager, the technolog, into her orbit. One afternoon of illicit pleasure on his desk leads to Nadia’s pregnancy, but the technolog has no intention of leaving his wife and daughter, so Nadia becomes a single mother. From birth, Larisska was anything but easy, refusing her own mother’s milk but accepting the neighbor’s. As tensions increase among western Ukrainians, separatists, and Russians, life in Nadia’s neighborhood begins disintegrating, and soon the pipe company is paying its employees in mandarin oranges, good for selling on the black market but not so good for diabetic Larisska. Once the technolog reveals that the company is closing, Nadia and Larisska’s application to leave Ukraine becomes even more urgent, but when their names finally reach the top of the list, 21-year-old Larisska has aged out, and Nadia chooses to go to America alone.. Devastated by her mother’s decision, Larisska rarely even Skypes or texts with Nadia. One night, however, Nadia’s friends convince her to go clubbing, and she concocts a scheme to get Larisska a green card—a scheme that will upturn Nadia’s own life and perhaps bring a bit of romance into it. Reyn (The Imperial Wife, 2016) deftly spins a web of heartache and memory around Nadia’s daily life. As she tries to handle the outrageous behavior of American toddlers and elderly Russian men with access to Viagra, her thoughts continually turn to her homeland.
A compassionate portrait of a mother aching with regrets yet brave enough to fight for her family.Pub Date: Feb. 26, 2019
ISBN: 978-1-250-07604-5
Page Count: 288
Publisher: Dunne/St. Martin's
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
BOOK REVIEW
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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