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LOST BELIEVERS

An elegant, melancholy debut written in gorgeous prose.

In the 1970s Soviet Union, an isolated family is disturbed by industrialization.

The Kol family has lived alone in southern Siberia for decades. They belong to an ultratraditional sect of Christianity known as the Old Believers, and persecution by the Russian Orthodox Church and the Soviets has driven them into the wilderness. Agafia, now in her 30s, has never met anyone outside her family, though she's sometimes visited by visions of Peter the Great. The Kols’ isolation ends when a helicopter delivers Galina, a successful geologist, and her pilot, Snow Crane, who are surveying the area for a new iron mine. Over the course of a few months, Galina falls in love with Snow Crane and with the Russian landscape the proposed iron mine would inevitably destroy. Worse, Agafia’s siblings soon die from a disease the geologists may have brought with them. “First the germs, then the mine,” Galina muses. “By the time we’re done here, we’ll kill off everything in the taiga.” That winter, Galina and Snow Crane return to Moscow while Agafia is drawn deeper into the real world, meeting a hunter and a monastery of Old Believer nuns. Like her characters, Zhorov has deep respect for the physical world, and she honors it with poetic language. Here’s how she describes Snow Crane preparing to summit Mount Elbrus, Russia’s highest peak: “Snow Crane laid his head on the ground. Deep below the grass and granite, he heard the slow churning of melted lava, the sleeping volcano’s gentle snores.” The novel is inspired by the real story of Agafia Lykov, an Old Believer who grew up in isolation and is nearing 80 years old.

An elegant, melancholy debut written in gorgeous prose.

Pub Date: Aug. 1, 2023

ISBN: 9781668011539

Page Count: 320

Publisher: Scribner

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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