Under the tutelage of a clever scholar, a cuneiform tablet brings to life an ancient world and the genesis of a great...

THE ARK BEFORE NOAH

DECODING THE STORY OF THE FLOOD

The ubiquitous tale of the Great Flood was not new to the writers of Genesis. Finkel, the assistant keeper of ancient Mesopotamian script, languages and culture at the British Museum, offers some fresh particulars about the source of the biblical story.

It all goes back to Mesopotamia, the land between the Tigris and Euphrates rivers in present-day Iraq, and the local Sumerian and Akkadian languages recorded in the wedge-shaped cuneiform inscriptions in which the learned author is an expert. Surviving in clay tablets, the story of the calamitous inundation was recounted in epics—e.g., Gilgamesh—eons before Noah. It is likely, Finkel asserts, to have been known to Jewish writers during the Babylonian exile and used in the compilation of the Hebrew Bible. Only recently, the author deciphered a previously unread tablet that turned out to be instructions for building a vessel that would ride out the worldwide flood. His line-by-line exegesis, recounted in professional glee, reveals a huge circular craft—a “coracle,” or basketlike boat, that was still seen during that time in Mesopotamia. The ark, made up of reeds and sticks and waterproofed inside and out with pitch, would have covered about an acre. Finkel’s fresh findings offer much architectural detail about how such a lifesaving craft would be constructed. Self-described “wedge reader” Finkel is a scholarly and often witty guide to the antediluvian civilization and our shared lineage. Some readers may find the great detail so dear to the author’s heart a bit dry, but Finkel’s happy primer on historic Mesopotamia is, on the whole, wonderfully rewarding.

Under the tutelage of a clever scholar, a cuneiform tablet brings to life an ancient world and the genesis of a great biblical story.

Pub Date: March 25, 2014

ISBN: 978-0-385-53711-7

Page Count: 432

Publisher: Nan A. Talese

Review Posted Online: March 18, 2014

Kirkus Reviews Issue: April 1, 2014

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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