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THE ARK BEFORE NOAH

DECODING THE STORY OF THE FLOOD

Under the tutelage of a clever scholar, a cuneiform tablet brings to life an ancient world and the genesis of a great...

The ubiquitous tale of the Great Flood was not new to the writers of Genesis. Finkel, the assistant keeper of ancient Mesopotamian script, languages and culture at the British Museum, offers some fresh particulars about the source of the biblical story.

It all goes back to Mesopotamia, the land between the Tigris and Euphrates rivers in present-day Iraq, and the local Sumerian and Akkadian languages recorded in the wedge-shaped cuneiform inscriptions in which the learned author is an expert. Surviving in clay tablets, the story of the calamitous inundation was recounted in epics—e.g., Gilgamesh—eons before Noah. It is likely, Finkel asserts, to have been known to Jewish writers during the Babylonian exile and used in the compilation of the Hebrew Bible. Only recently, the author deciphered a previously unread tablet that turned out to be instructions for building a vessel that would ride out the worldwide flood. His line-by-line exegesis, recounted in professional glee, reveals a huge circular craft—a “coracle,” or basketlike boat, that was still seen during that time in Mesopotamia. The ark, made up of reeds and sticks and waterproofed inside and out with pitch, would have covered about an acre. Finkel’s fresh findings offer much architectural detail about how such a lifesaving craft would be constructed. Self-described “wedge reader” Finkel is a scholarly and often witty guide to the antediluvian civilization and our shared lineage. Some readers may find the great detail so dear to the author’s heart a bit dry, but Finkel’s happy primer on historic Mesopotamia is, on the whole, wonderfully rewarding.

Under the tutelage of a clever scholar, a cuneiform tablet brings to life an ancient world and the genesis of a great biblical story.

Pub Date: March 25, 2014

ISBN: 978-0-385-53711-7

Page Count: 432

Publisher: Nan A. Talese

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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