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DAUGHTER OF FORTUNE

Allende’s first novel in six years (The Infinite Plan, 1993, etc.) delivers her gentle, often plush style at extravagant length to tell the life of Eliza Sommers, a Chilean woman who immigrates to San Francisco in the 1840s. Abandoned as a baby in the British colony of Valparaiso, Eliza is raised by Jeremy and Rose Sommers, a prosperous pair of siblings who consider the girl a gift. For unmarried Rose, Eliza is compensation for the child she’s always lacked; brother Jeremy is pleased that the infant legitimizes their odd cohabitation. A thriving seaport, Valparaiso welcomes sailors and hucksters in abundance: Jeremy is a ship’s captain, and one Jacob Todd a Bible salesman without official sanction. Todd quickly falls for Rose, though she misunderstands him and thinks he’s fallen in love with young Eliza. Some 200 pages later, Eliza falls in love with Joaqu°n Andieta, who her pregnant and then sails for the promise of gold in California. Eliza follows, miscarries during her passage north, and is befriended by Tao Chi’en, a Chinese physician. (His early struggles and departure from Asia are treated in detail.) Meanwhile, Eliza wanders through California with undiminished hope. This takes years, and along the way Tao Chi’en is transformed from his traditional ways, while Eliza adopts the role of a man and encounters dozens of curious people. Back in Valparaiso, the Sommers pair regret their loss but are given hope of tracking Eliza down when Todd—now a newspaper reporter—tells them he’s seen her. Finally, after Eliza discovers that Joaqu°n, having become a bandit, has been murdered, she and Tao Chi’en are free to explore their (so-far unexpressed) love for each other. Allende has clearly enjoyed providing rich elaborations that don—t particularly advance the story here but affirm her theme of personal discovery. Each of her characters finds ’something different from what we were looking for.” With this novel, the same may not be said of readers who enjoy Allende’s fiction. (Book-of-the-Month Club dual main selection; author tour)

Pub Date: Oct. 10, 1999

ISBN: 0-06-019491-X

Page Count: 432

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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