A memorable, provocative book that exposes an American history in which few can take pride.
The Pulitzer Prize–winning journalist chronicles the formation and fortunes of social hierarchy.
Caste is principally associated with India, which figures in the book—an impressive follow-up to her magisterial The Warmth of Other Suns—but Wilkerson focuses on the U.S. We tend to think of divisions as being racial rather than caste-based. However, as the author writes, “caste is the infrastructure of our divisions. It is the architecture of human hierarchy, the subconscious code of instructions for maintaining, in our case, a four-hundred-year-old social order.” That social order was imposed on Africans unwillingly brought to this country—but, notes Wilkerson, “caste and race are neither synonymous nor mutually exclusive.” If Africans ranked at the bottom of the scale, members of other ethnic orders, such as Irish indentured servants, also suffered discrimination even if they were categorized as white and thus hierarchically superior. Wilkerson writes that American caste structures were broadly influential for Nazi theorists when they formulated their racial and social classifications; they “knew that the United States was centuries ahead of them with its anti-miscegenation statutes and race-based immigration bans.” Indeed, the Nazi term “untermensch,” or “under-man,” owes to an American eugenicist whose writings became required reading in German schools under the Third Reich, and the distinction between Jew and Aryan owes to the one-drop rules of the American South. If race links closely to caste in much of Wilkerson’s account, it departs from it toward the end. As she notes, the U.S. is rapidly becoming a “majority minority” country whose demographics will more closely resemble South Africa’s than the norms of a half-century ago. What matters is what we do with the hierarchical divisions we inherit, which are not hewn in stone: “We are responsible for ourselves and our own deeds or misdeeds in our time and in our own space and will be judged accordingly by succeeding generations.”
A memorable, provocative book that exposes an American history in which few can take pride.Pub Date: Aug. 11, 2020
ISBN: 978-0-593-23025-1
Page Count: 496
Publisher: Random House
Review Posted Online: May 29, 2020
Kirkus Reviews Issue: June 15, 2020
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.
A master storyteller’s character-driven account of a storied year in the American Revolution.
Against world systems, economic determinist and other external-cause schools of historical thought, McCullough (John Adams, 2001, etc.) has an old-fashioned fondness for the great- (and not-so-great) man tradition, which may not have much explanatory power but almost always yields better-written books. McCullough opens with a courteous nod to the customary villain in the story of American independence, George III, who turns out to be a pleasant and artistically inclined fellow who relied on poor advice; his Westmoreland, for instance, was a British general named Grant who boasted that with 5,000 soldiers he “could march from one end of the American continent to the other.” Other British officers agitated for peace, even as George wondered why Americans would not understand that to be a British subject was to be free by definition. Against these men stood arrayed a rebel army that was, at the least, unimpressive; McCullough observes that New Englanders, for instance, considered washing clothes to be women’s work and so wore filthy clothes until they rotted, with the result that Burgoyne and company had a point in thinking the Continentals a bunch of ragamuffins. The Americans’ military fortunes were none too good for much of 1776, the year of the Declaration; at the slowly unfolding battle for control over New York, George Washington was moved to despair at the sight of sometimes drunk soldiers running from the enemy and of their officers “who, instead of attending to their duty, had stood gazing like bumpkins” at the spectacle. For a man such as Washington, to be a laughingstock was the supreme insult, but the British were driven by other motives than to irritate the general—not least of them reluctance to give up a rich, fertile and beautiful land that, McCullough notes, was providing the world’s highest standard of living in 1776.
Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.Pub Date: June 1, 2005
ISBN: 0-7432-2671-2
Page Count: 656
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
IN THE NEWS
PERSPECTIVES
Disjointed in spots but thoughtful and often inspirational.
An acclaimed actor “taught not to make scenes” as a young girl explores how “scenes” from her life have made her into the woman she became.
In her first book, Wu, best known for her roles in the TV show Fresh Off the Boat and the film Crazy Rich Asians, reflects on the experiences that transformed her from a shy girl into a self-confident performer able to create meaningful, stereotype-defying characters. The American-born daughter of Taiwanese immigrants, Wu, who dreamed of a professional acting career, assimilated well into the conservative White Virginia suburb where she grew up. Yet the Asian actors she saw often made her want to cringe for the way they brought attention to the “Asian-ness” Wu could not entirely accept in herself. It wasn’t until she began studying drama in college that the author began to dig within herself to find what could truly make her characters come alive. In her personal life, Wu deepened her emotional maturity with lessons in love while also experiencing the turmoil caused by a traumatic sexual experience. “I didn’t feel attacked or assaulted or coerced and I certainly didn’t feel raped,” she writes. “Strange as it sounds, the word ‘rape’ didn’t even occur to me.” After moving to California for her acting career, she began to educate herself on rape culture. Her awakening, however, could not protect her from Hollywood anti-feminism or her own desire to be a “cool girl” who could brush off casual misogyny. As she gained professional visibility and acclaim, Wu found herself at the mercy of an Asian American producer who intimidated and sexually harassed her. The essays—parts of which she cleverly imagines as stage scenes—are intimate and rich in emotional detail. However, the time shifts and occasional lack of thematic connection sometimes limit the impact of the author’s message.
Disjointed in spots but thoughtful and often inspirational.Pub Date: Oct. 4, 2022
ISBN: 978-1-982188-54-2
Page Count: 336
Publisher: Scribner
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
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