Fairly short ruminations, all written in a plain, unambiguous style.
Queer fiction from Canada, more anecdote and personal reflection than stories per se, a number involving a character named Ivan Coyote (The Slow Fix, 2008, etc.).
The sexuality of Coyote is never far from the center of her narrative arc. She reflects on growing up different in Whitehorse, Yukon Territories, and on having the persona but not the language for “butch.” Many of her stories revolve around family—an alcoholic father who eventually remarries his childhood sweetheart, a grandmother who has an affair while her husband is out of the country on a job—while others reflect Coyote’s preoccupation with gender and identity, though the line between the themes of family and identity is blurry. In “Objects in Mirror Are Queerer Than They Appear,” for example, after sifting through a photograph album and seeing pictures of herself as a child, Coyote tries to track down when her family knew she was different. Her Uncle John affirms and reassures her by saying, “ ‘We were just glad you weren’t stupid. There’s no cure for stupid.’ ” In “Some of My Best Friends are Rednecks” Coyote feels shame because a stereotypical “man-hating lesbian” berates one of Coyote’s friends for reading her book on a bus. “Straight Teens Talk Queer” focuses on how a group of kids at a Vancouver Public Library book camp look at issues of homophobia, and Coyote draws comfort about the possibility of cultural change from their attitude of acceptance. Other stories give us advice about how to get on the “road to repair” after a failed love affair (“Step One. Get up. Do it now. There you go.”). A follow-up to this story involves the “butch version of the ten steps to getting over the ex” (e.g., “Get a haircut…Road trip…Going places with your dog in your truck”).
Fairly short ruminations, all written in a plain, unambiguous style.Pub Date: Oct. 1, 2010
ISBN: 978-1-55152-371-2
Page Count: 160
Publisher: Arsenal Pulp Press
Review Posted Online: Aug. 23, 2010
Kirkus Reviews Issue: Sept. 15, 2010
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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