Despite its length, an engrossing tale of mystery and magic.

EYE OF THE MOON

In this debut murder mystery, a pair of friends searches for clues in the darkest recesses of the occult.

Johnny and Percy grew up as close as brothers. So when Johnny asks Percy to accompany him to his family’s luxurious estate in Rhinebeck, New York, he agrees despite some reservations. While rummaging about in the cellar, they stumble upon some personal effects that belonged to Johnny’s deceased aunt, Alice, a larger-than-life figure who died under mysterious circumstances. In response to their curiosity, Stanley, the family’s butler and once Alice’s confidant, enigmatically offers them a contract of sorts: he’ll give them Alice’s diary and tell them everything he knows about her life in exchange for a future favor left currently undetermined. In the spirit of adventure, they both accept, and Stanley regales them with a lurid tale of Alice’s fraught marriage to Lord Bromley, a sinister man rumored to have dabbled in the supernatural. He is an abusive husband—his malignancy is memorably described by Obolensky—and Alice finally conspires to escape marriage to him. The cost of her victory, she believes, is a terrible curse delivered to her by Bromley. She devotes the remainder of her days searching for a reprieve from her dark punishment, indefatigably perusing ancient artifacts and books to that purpose. Johnny and Percy want to discover if her death was the result of murder and follow her lead in summoning demons to divine the truth. Meanwhile, Percy becomes infatuated with Brunhilde von Hofmanstal, the beautiful daughter of a baron and his wife, all visiting Rhinebeck. Though his feelings for her are powerful, he also suspects her interest in him is fueled more by ulterior than romantic motives. Obolensky conjures a remarkably imaginative tale, seamlessly juxtaposing the quotidian and the magical in a way that renders the latter mesmerizingly plausible. Johnny and Percy’s headlong march into the occult world that may have destroyed Alice is shockingly inadvisable and yet seems to make sense all the same. In addition, the author has a morbid gift for the description of human turpitude that simultaneously inspires both revulsion and awe. But his writing, in particular the dialogue, is oddly genteel and strikes a decorous tone that is more suitable to the 1870s than the 1970s, the actual setting of the story. Exchanges between characters include phrases like “pray tell” and “indeedy,” which seem like the author’s approximations of the communicative ticks of the well-heeled. Nevertheless, Alice’s complex character powerfully emerges as the plot’s tonal center, a bewitching amalgam of moral strength, intellectual vitality, and a lust for life. Likewise, Stanley is far more than meets the eye, and Obolensky skillfully portrays him with literary restraint, leaving the reader to deliciously wonder if he’s truly a friend or a secret foe. The principal failing of the novel is its sprawling length (more than 500 pages). The plot unfurls at a sleepy pace, and the author promiscuously inserts narrative detours. Still, the story as a whole remains a transfixing one, ingeniously constructed.

Despite its length, an engrossing tale of mystery and magic.

Pub Date: Feb. 6, 2018

ISBN: N/A

Page Count: -

Publisher: Smith-Obolensky Media

Review Posted Online: Oct. 11, 2017

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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THE PRINCE OF TIDES

A NOVEL

A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.

Pub Date: Oct. 21, 1986

ISBN: 0553381547

Page Count: 686

Publisher: Houghton Mifflin

Review Posted Online: Oct. 30, 2013

Kirkus Reviews Issue: Sept. 15, 1986

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