by Ivan Obolensky ‧ RELEASE DATE: Feb. 6, 2018
Despite its length, an engrossing tale of mystery and magic.
In this debut murder mystery, a pair of friends searches for clues in the darkest recesses of the occult.
Johnny and Percy grew up as close as brothers. So when Johnny asks Percy to accompany him to his family’s luxurious estate in Rhinebeck, New York, he agrees despite some reservations. While rummaging about in the cellar, they stumble upon some personal effects that belonged to Johnny’s deceased aunt, Alice, a larger-than-life figure who died under mysterious circumstances. In response to their curiosity, Stanley, the family’s butler and once Alice’s confidant, enigmatically offers them a contract of sorts: he’ll give them Alice’s diary and tell them everything he knows about her life in exchange for a future favor left currently undetermined. In the spirit of adventure, they both accept, and Stanley regales them with a lurid tale of Alice’s fraught marriage to Lord Bromley, a sinister man rumored to have dabbled in the supernatural. He is an abusive husband—his malignancy is memorably described by Obolensky—and Alice finally conspires to escape marriage to him. The cost of her victory, she believes, is a terrible curse delivered to her by Bromley. She devotes the remainder of her days searching for a reprieve from her dark punishment, indefatigably perusing ancient artifacts and books to that purpose. Johnny and Percy want to discover if her death was the result of murder and follow her lead in summoning demons to divine the truth. Meanwhile, Percy becomes infatuated with Brunhilde von Hofmanstal, the beautiful daughter of a baron and his wife, all visiting Rhinebeck. Though his feelings for her are powerful, he also suspects her interest in him is fueled more by ulterior than romantic motives. Obolensky conjures a remarkably imaginative tale, seamlessly juxtaposing the quotidian and the magical in a way that renders the latter mesmerizingly plausible. Johnny and Percy’s headlong march into the occult world that may have destroyed Alice is shockingly inadvisable and yet seems to make sense all the same. In addition, the author has a morbid gift for the description of human turpitude that simultaneously inspires both revulsion and awe. But his writing, in particular the dialogue, is oddly genteel and strikes a decorous tone that is more suitable to the 1870s than the 1970s, the actual setting of the story. Exchanges between characters include phrases like “pray tell” and “indeedy,” which seem like the author’s approximations of the communicative ticks of the well-heeled. Nevertheless, Alice’s complex character powerfully emerges as the plot’s tonal center, a bewitching amalgam of moral strength, intellectual vitality, and a lust for life. Likewise, Stanley is far more than meets the eye, and Obolensky skillfully portrays him with literary restraint, leaving the reader to deliciously wonder if he’s truly a friend or a secret foe. The principal failing of the novel is its sprawling length (more than 500 pages). The plot unfurls at a sleepy pace, and the author promiscuously inserts narrative detours. Still, the story as a whole remains a transfixing one, ingeniously constructed.
Despite its length, an engrossing tale of mystery and magic.Pub Date: Feb. 6, 2018
ISBN: N/A
Page Count: -
Publisher: Smith-Obolensky Media
Review Posted Online: Oct. 11, 2017
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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