Sullivan often approaches melodrama, but she steers clear of the sentimentality that might easily have crept into this tale...
Of Catholic guilt, silences, and secrets: an expertly spun family drama, a genre Sullivan (The Engagements, 2013, etc.) has staked out as her own.
Theresa and Nora, Irish sisters, have long since parted company, the break an event that neither has spoken of for half a century. Now, as Sullivan’s latest opens, Nora’s son Patrick has died, and as the family comes together to see him off, long-hidden secrets are unveiled. A whole constellation of them swirls around Theresa, explained away as “nothing more to Patrick than a distant aunt.” But how to explain the truth? How to make up for all the choppy water that has passed between the two sisters, separated by an unbridged Atlantic? How to forgive one another? Sullivan lets some of the critical details out early: Patrick was a drinker, and he died in a drunken car wreck. Theresa was a religious whiz kid, more Catholic than the pope; quizzed by the bishop, she reels off doctrine to the letter, prompting the cleric to say to her father, “You’ve got a very bright child there. Are all your others as sharp as that?” The answer, “Heavens no. We don’t know where she came from,” speaks volumes about the story that will follow, though for all her knowledge, no one really expects Theresa to wind up in the nunnery, torn up by the more or less ordinary events of adolescence and given to saying “a string of novenas for forgiveness” for her perfectly excusable transgressions—excusable now, of course, but not then, and not in the Ireland of the girls’ youth. Sullivan is a master at making a sideways glance or a revealed detail add to a larger picture that she takes her time in building, one that might just as easily bear as its title a wise remark in passing: “Loving and knowing weren’t the same.”
Sullivan often approaches melodrama, but she steers clear of the sentimentality that might easily have crept into this tale of regret and nostalgia.Pub Date: May 9, 2017
ISBN: 978-0-307-95957-7
Page Count: 368
Publisher: Knopf
Review Posted Online: April 1, 2017
Kirkus Reviews Issue: April 15, 2017
This quirky, complex, and frustrating heroine will win hearts and challenge assumptions about family dysfunction and mental...
With the help of unusual houseguests, a teenage girl who tries to rebel by airing her family’s dirty laundry cleans up her act instead.
To Merit Voss, the white picket fence around her house is the only thing normal about the family it contains. She lives in a converted church with her father, stepmother, and siblings, and although her parents have been divorced for years, her mother still lives in the basement, struggling with social anxiety. No one in her family is religious, so her brother Utah updates the church marquee every day with fun facts instead of Bible verses. Merit is less accomplished than her identical twin sister, Honor, so she likes to buy used trophies to celebrate her failures. But Honor seems to have a fetish for terminally ill boys, so it’s a surprise to Merit when Sagan, who is perfectly healthy, kisses Merit after mistaking her for her sister—and then reveals that he’s living in their house. Soon they have another houseguest, Luck, whose connection to the family makes Merit even more convinced she’s living in a madhouse. So why is everyone so angry at her? Merit has a love/hate relationship with her sister. She's conflicted by her feelings for Sagan, who leaves intriguing sketches (illustrated by Adams) around the house for her to decipher. She’s simultaneously intrigued and repulsed by Luck, who annoys her with his questions but is also her confidant. She can’t sit through dinner without starting a fight; she’s been skipping school for days; and when she decides to give her whole family the silent treatment, Sagan is the only one who notices. In fact, he and Luck are the only people in the house who recognize Merit’s quirks for what they really are—cries for help. And when Merit takes drastic measures to be heard, the fallout is both worse and much better than she feared. Hoover (It Ends With Us, 2016, etc.) does an excellent job of revealing the subtle differences between healthy teenage rebellion and clinical depression, and Merit’s aha moment is worthy of every trophy in her collection.
This quirky, complex, and frustrating heroine will win hearts and challenge assumptions about family dysfunction and mental illness in a life-affirming story that redefines what’s normal.Pub Date: Oct. 3, 2017
ISBN: 978-1-5011-7062-1
Page Count: 384
Publisher: Atria
Review Posted Online: Aug. 5, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Funny, heart-wrenching, insightful, and lovely.
As her teenage daughter endures bullying from her former best friends, Emma gets a call from her rich grandmother—who threw her out when she became pregnant and hasn’t spoken to her since—asking them to spend time with her before she dies.
Despite a complicated and painful childhood, Emma London has clawed her way to a successful, happy life, living with her maternal grandfather in Chicago and raising her perfect, beautiful daughter, Riley. Things take an unexpected turn at the end of Riley’s junior year of high school, when her lifelong best friends turn on her, and Emma’s estranged paternal grandmother, Genevieve London—who owns a high-end fashion and lifestyle brand and is considered “a style icon and an industry leader”—asks her to bring Riley and spend the summer with her in Connecticut since she’s dying of cancer. After her mother died when she was 8, Emma lived with Genevieve for 10 years, until right after she graduated from high school and discovered she was pregnant. Genevieve hasn’t spoken to her since. At first Emma is determined not to head east, but once Riley’s former friends become abusive, she packs up and gets away with her daughter. The summer is full of shocking secrets, surprising twists, and unexpected grace. Despite their differences, Genevieve and Emma love each other fiercely, and once Emma understands what Genevieve is truly up against, she turns woman warrior on her behalf while also creating a new life for herself and Riley in the place she’d never expected to come back to. Higgins explores another set of deeply affecting topics using engaging characters and a full spectrum of realistic emotions: humor, anger, anguish, and pride, among others, but above all, hope.
Funny, heart-wrenching, insightful, and lovely.Pub Date: Aug. 6, 2019
ISBN: 978-0-451-48942-5
Page Count: 448
Publisher: Berkley
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
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