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GAIA

An all-ages solar flare of a tale involving a planetary threat.

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In this YA debut, a teenager learns that she has a long-lost brother and finds herself drawn into galactic warfare.

Sixteen-year-old Victoria Sobin lives in the mining town of Oreville. One evening, she experiences an intense headache accompanied by the image of a hill behind her home. When she climbs the hill, she meets a sleekly handsome young man named Troy. “The time has come to discuss our mother,” he says, irritating Vicky. Her mother has been in a mysterious state since giving birth to her. Troy explains that he’s from the planet Gaia, visiting Earth to find his twin sister. Vicky storms off when he continues to invade her mind telepathically. The next day, her mother glimpses Troy near their home and collapses. Vicky’s mother sinks into a coma, and a week passes. Then Vicky and her best friend, Ming Wu, walk the hills. They encounter Troy, who reveals a spaceship. He takes them to the Brazilian rainforest and to Chinese caves, where the girls breathe in a purple mist. Troy admits to testing whether or not they might survive Gaia’s atmosphere. Vicky is enraged but listens as he describes his society as one that has genetically eliminated emotions to prevent war. But an old enemy threatens the planet, and it needs soldiers—which is why human/Gaian hybrids like Troy exist. And yet the experiments that led to Troy and Vicky being born on the same day were flawed. Vicky has been summoned to Gaia to help facilitate a planetary defense against the spiderlike ships of the Araneans. Appealing to both adult and YA audiences, Darmanin’s novel employs rich characterization, breakneck plotting, and a dystopian filigree that would make Suzanne Collins (The Hunger Games series) raise an eyebrow. When readers learn that Gaia once upon a time aggressively colonized the galaxy with military might, thoughts will likely turn to ancient Rome and the United States. Later, Vicky sees bland, utilitarian Gaian dwellings where people live cut off from one another (they have no emotions and little reason to interact) and nature (the environment has been ruined). She thinks: “No matter how many tests these people run on me, they’ll never find an answer to their problems.” The author brightens this dour tableau with eye-popping visuals, as when her protagonists reach space to find “a planet whose twenty-plus moons follow fluorescent orbits, making the whole thing look like a psychedelic atom.” The Araneans are rather enjoyable villains, since their ships resemble spiders and attack like mechanical space tarantulas. But the narrative’s primary thrust is a deeply intellectual one. With passion removed from the Gaians, not only do they abstain from war, but they also make no art and have no sense of self-preservation. Bleaker horizons have been seen in The Time Machine and Brave New World, but Darmanin has much more fun. A device that can infinitely customize someone’s appearance helps shape the finale, hinting that this author is eager to flex her imagination in a sequel.

An all-ages solar flare of a tale involving a planetary threat.

Pub Date: Nov. 8, 2017

ISBN: 978-0-692-93836-2

Page Count: 296

Publisher: Nickel Capital Publications Inc.

Review Posted Online: April 9, 2018

Kirkus Reviews Issue: May 15, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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