Exciting in form; powerful in content.
A queer Black college student alchemizes her rage into a mixed-media document exposing how her university has failed its Black community in this inventive debut novel.
In 2013, Sahara Kesandu Nwadike—her father is Nigerian and her mother African American—is a sophomore studying English in Chicago. Classes barely engage her (she dubs her intro to writing course “High School Revisited”); she feels she’s mostly there to form part of a “diversity showcase” and resents rich kids like her absentee roommate. The campus culture is one of pervasive microaggressions, with buildings named after eugenicists and the Black Student Coalition headed by white Ph.D. student “Lone Caucasian.” The book’s title refers to Black students who have dropped out, transferred, or died—including by suicide. Sahara looks set to join their ranks: She’s been drinking and cutting for years, and her substance abuse accelerates as she tries to impress a clubbing buddy. She personifies her depression as “Life Partner,” who perpetuates self-destructive behaviors such as disordered eating. Trying to rescue her from the brink are her Korean American best friend, “Ride or Die,” and her “constant crush,” Mariah. Chukwu is matter-of-fact about Sahara’s bisexual attractions and explores mental health and suicidal ideation with a sardonic but never flippant tone. The book's imaginative structure provides a lift: It takes the form of Sahara's honors thesis, inspired by her late Aunt Nita’s zine, organized into “Tracks” and filled with paper collages, chat threads, playlists, emails, and imagined dialogues. Sahara addresses the thesis committee directly, and her one-liners zing. The nicknames and party scenes grow somewhat wearisome; the plot doesn’t soar until a tragedy brought on by the university hospital’s negligence. Still, in energy this is reminiscent of Luster and Queenie.
Exciting in form; powerful in content.Pub Date: Feb. 28, 2023
ISBN: 9780358650263
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
Underscores that the stories we tell about our lives and those of others can change hearts, minds, and history.
In a dystopian near future, art battles back against fear.
Ng’s first two novels—her arresting debut, Everything I Never Told You (2014), and devastating follow-up, Little Fires Everywhere (2017)—provided an insightful, empathetic perspective on America as it is. Her equally sensitive, nuanced, and vividly drawn latest effort, set in a dystopian near future in which Asian Americans are regarded with scorn and mistrust by the government and their neighbors, offers a frightening portrait of what it might become. The novel’s young protagonist, Bird, was 9 when his mother—without explanation—left him and his father; his father destroyed every sign of her. Now, when Bird is 12, a letter arrives. Because it is addressed to “Bird,” he knows it's from his mother. For three years, he has had to answer to his given name, Noah; repeat that he and his father no longer have anything to do with his mother; try not to attract attention; and endure classmates calling his mother a traitor. None of it makes sense to Bird until his one friend, Sadie, fills him in: His mother, the child of Chinese immigrants, wrote a poem that had improbably become a rallying cry for those protesting PACT—the Preserving American Culture and Traditions Act—a law that had helped end the Crisis 10 years before, ushering in an era in which violent economic protests had become vanishingly rare, but fear and suspicion, especially for persons of Asian origin, reigned. One of the Pillars of PACT—“Protects children from environments espousing harmful views”—had been the pretext for Sadie’s removal from her parents, who had sought to expose PACT’s cruelties and, Bird begins to understand, had prompted his own mother’s decision to leave. His mother's letter launches him on an odyssey to locate her, to listen and to learn. From the very first page of this thoroughly engrossing and deeply moving novel, Bird’s story takes wing. Taut and terrifying, Ng’s cautionary tale transports us into an American tomorrow that is all too easy to imagine—and persuasively posits that the antidotes to fear and suspicion are empathy and love.
Underscores that the stories we tell about our lives and those of others can change hearts, minds, and history.Pub Date: Oct. 4, 2022
ISBN: 978-0-593-49254-3
Page Count: 352
Publisher: Penguin Press
Review Posted Online: Aug. 1, 2022
Kirkus Reviews Issue: Aug. 15, 2022
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
SEEN & HEARD
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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