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ELIZABETH

Overly worshipful, but you’d have to be quite jaded to be bored by this chronicle of a miniseries life.

Veteran diva-disher Taraborrelli, who has written about Cher, Madonna and Princess Grace, turns his pen on the silver screen starlet of the century.

Elizabeth Taylor, she of nine lives and eight marriages, was born to privilege in England. She had a stunning, powerful mother intent on making her lovely daughter a Hollywood sensation. In her turbulent life, as Taraborrelli chronicles, Taylor has been (take a deep breath): the horse-loving preteen of National Velvet; the child-bride of volatile heir Nicky Hilton; the tragic young widow of hot-shot director Mike Todd; the home-wrecking vixen of Hollywood’s most wholesome couple, Eddie Fisher and Debbie Reynolds; one half of Liz and Dick, twice-married Tinseltown supercouple; political trophy wife and campaign-trail eye-candy; alcoholic pill popper and walking train wreck; AIDS activist and best friend to Michael Jackson; the bloated, bleach-blonde soon-to-be ex-wife of construction worker Larry Fortensky. With all this drama, Taylor’s life is a story that nearly tells itself, and Taraborelli veers from his usual catty criticism. After detailing yet another embarrassing episode or inexcusable deed, the author attempts to make excuses for his subject, consistently starting sentences with the phrase “to be fair.” Where has there ever been a place for “fair” in the provocatively offensive pages of an unauthorized biography? It is to the detriment of the book that Taraborelli seems to have a reverence and sympathy for Taylor, for it lacks the bitchy bite that makes celebrity journalism so, well, Schadenfreude-y. Still, the enchanting Elizabeth does not fail to fascinate, whether we pity or revile her. As the writer characterizes her, she is unable to distinguish between onscreen and offscreen realities, always performing, while feeling deeply.

Overly worshipful, but you’d have to be quite jaded to be bored by this chronicle of a miniseries life.

Pub Date: Aug. 29, 2006

ISBN: 0-446-53254-1

Page Count: 528

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 1, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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