Kinky, touching, emotional, and sexually intense.
Still mourning the loss of a friend due to an accident during sadomasochistic sex, Kamen moves in with his boyfriend, Ryan, and has to navigate a spectrum of mixed feelings as he and his close-knit set of friends move into their own lives, loves, and levels of kink.
Kamen is in love, and for some reason he can’t comprehend, his very close friends aren’t happy about it. In his mind, Ryan is perfect for him. They share a goofy sense of humor, an explosive chemistry, and a “we’ll try anything once, but stop if either of us doesn’t like it” sensibility that is a "totes" turn-on for Kamen, whose happy-go-lucky personality is sometimes mistaken for a dim wit or a lack of maturity—possibly also somewhat due to his use of words like “totes,” “amazerbeam,” and “amazigasmitastic.” But at heart, Kamen is a kind, open-hearted young man who doesn’t brood, can be depended on to keep a secret, and is deeply loyal to people he cares about. Which is why he feels disheartened and a little betrayed when his friends subtly reject Ryan. For Kamen, Ryan’s adventurous nature brings out a curiosity he never knew he had, which leads them into all kinds of audacious experiences Kamen discovers he really likes—and a few he doesn’t. These include experimenting with female clothes and lingerie, water sports, and, thanks to some scornful taunting from a mean-spirited fellow client at a local dungeon, an unexpected romp into competitive pony play. Kamen’s first-person perspective is funny and very present, while Rock does a terrific job of creating authentic, realistic characters who are exploring many layers of romance and kink while delving into emotionally deep territory: the preventable death of a friend, the reactions of friends when one begins to explore new aspects of self, and the inevitable tension of grief, guilt, and moving on. Still, not for the faint of heart, since it includes graphic sex scenes and realistic portrayals of a variety of kinky lifestyles.
Kinky, touching, emotional, and sexually intense.Pub Date: April 4, 2016
ISBN: 978-1-62649-348-3
Page Count: 278
Publisher: Riptide
Review Posted Online: March 16, 2016
Kirkus Reviews Issue: April 1, 2016
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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