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NO MERCY

Curtis follows his lethargic oater Pepper Tree Rider (1994) with a high-caliber tale of Montana revenge. Starting off a week in jail after his quixotic attempt to squire lady-of-the-evening Ruby Campbell to the right side of the tracks in order to buy medicine for an ailing friend, Sawtooth Ranch hand Clint Durby isn't around for Lee, his aspiring journalist kid brother, to consult when he stumbles onto evidence of a syndicate snapping up all the available Crow Reservation land by hook or crook. Next thing Clint knows, Sheriff Earl Cox is telling him that Lee's been mistaken for an elk and accidentally shot dead. Clint's impromptu nighttime exhumation of Lee's body shows three bullet holes placed by hunters who couldn't have mistaken Lee for any elk at that range, and a further search turns up a telltale notebook that unsurprisingly identifies the members of the Sawtooth Cattle Syndicate as railroad magnate Big Jim Ralston, Sen. Lorenzo Cooley, and Percival, Duke of Dorset—all of them perverted sportsmen who'd hunted Lee down by having their hired guns drive him into an ambush. But what can Clint do with the evidence that Lee had gathered? The sheriff indicates his eagerness to vault onto the Syndicate payroll by arresting Clint; his snakelike deputy starts by promising to help Clint, then demands Lee's notebook as his ticket to an endless Syndicate paycheck; and Clint wonders if even Judge Chamberlain, due in Sawtooth at the end of the week, will be worth waiting for. What can one lone avenger do with powers like these arranged against him? Cut them down with a .44, that's what, in a bloody, simple- minded finale that'll remind frustrated crusaders everywhere why vigilante fantasies like this will always have a place in the popular imagination.

Pub Date: Dec. 14, 1995

ISBN: 0-8027-4151-7

Page Count: 160

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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