Collins resolves these and many other questions at breakneck pace, with her inimitable touch of crass evident throughout....
The usual mixed bag of vixens, sexy louts, and a hardworking star or two from Collins (Lethal Seduction, 2000, etc), on familiar territory in la-la land once more.
Lissa Roman, singer and movie actress, is still gorgeous at 40, but she has to work at it. Too bad her pesky offspring, Nicci, is now old enough to actually be engaged. What’s next? Grandchildren? Perish the thought and get me my agent—who lands Lissa a fabulous gig opening a lavish new Las Vegas hotel. It’s a welcome distraction from her restless fourth husband, Gregg, part-time philanderer and full-time bodybuilding egotist. He’s so Hollywood—Lissa rues the day she married him. Well, perhaps her darling daughter will settle down with that hot young director, Evan Richter, and find happiness. Instead, Nicci finds she’s wildly attracted to Evan’s bad-boy twin, Brian. Will she stay faithful, or bed the naughty brother before her bachelorette party? And should she tell that weird guy in the stocking mask who just knocked on her door to go away? Decisions, decisions. Taylor Singer, a sometime actress married to a famous director who bores her in bed, has a few decisions of her own to make. Should she say yes to Montana, the bisexual woman director who wants her to play a leading role in a lesbian love story? Should she say no to Oliver Rock, the skanky but sexy young screenwriter who just sold his first opus for a million bucks? Getting back to the heroine: Lissa has the hots for Michael Scorsinni, the obligatory macho Italian cop and official Real Person in this hackneyed plot. Will he get the goods on cheating Gregg? And will Lissa let him out of bed long enough to save the life of her kidnapped daughter?
Collins resolves these and many other questions at breakneck pace, with her inimitable touch of crass evident throughout. Happiness awaits schlock connoisseurs and uncritical fans alike.Pub Date: June 22, 2001
ISBN: 0-7432-1634-2
Page Count: 528
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2001
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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