A moving meditation on loss, solitude, and the hope that can rise from both.
In Polzin’s debut, a woman finds solace in a charming, albeit hapless, flock of chickens.
Polzin brings us into the fold of her introspective novel by introducing a cast of chickens. Next comes her nameless narrator. The chickens have names, but they’re irrelevant. The story here has nothing to do with the chickens but rather with what they offer a woman silently reckoning with a recent loss (spoiler: It’s not eggs). “A chicken knows only what it can see,” our narrator muses. They also “die suddenly and without explanation” and only want what is necessary to survive. “I want something that will not end in disappointment,” she thinks to herself. Despite being married, having a handful of friends and a quasi-present mother, she’s left alone with a lot of time to rehash the trauma of her recent miscarriage. Percy, her loving yet abstracted husband, is around but too preoccupied with waiting to hear from a prestigious university about a potential job to stop and notice. Her friend Helen, a real estate agent and new mother, provides an escape from time to time, letting the narrator clean her listed properties before they’re shown—a task she gratefully obliges to, approaching each job with “the steely reserve of a doctor.” “I polish and shine with a frenzy indistinguishable from rapture,” she says. Grieving a role she felt destined to fill, our narrator turns from the intangible and immerses herself in the tactile, including the feathered, clucking company of her birds. Calling to mind the cerebral works of Olivia Laing and Jenny Offill, Polzin’s story has a quiet intensity that churns throughout. It’s in the tension she builds within her narrator’s isolated world, navigating the paradox of domestic intimacy, the comfort and terror it sows, and the unexpected shapes motherhood can take. There are no heart-quickening plot twists or climactic endings here, and that’s the beauty of Polzin’s writing. It doesn’t need either to move you. In Polzin's deft hands, the mundane is an endless source of wonder.
A moving meditation on loss, solitude, and the hope that can rise from both.Pub Date: March 9, 2021
ISBN: 978-0-385-54675-1
Page Count: 240
Publisher: Doubleday
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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