An unevenly written anti-war, gender-fluid, and environmentally conscious tale.
In this novel, Anderson-Minshall (co-author: Queerly Beloved, 2014, etc.) tells the stories of a transgender man, the son he adopts, and the daughter he gave up.
Flint Douglas, an intersex teenager, counts himself blessed to have found Coyote “Ki” Douglas, who adopts him after he experiences years of abuse from foster parents. Ki’s compassionate act gets Flint off the streets and into a protective environment, where he’s allowed to grow into his body and emotions. This comfortable hideaway begins to crumble, however, when Ki is informed that his biological daughter, Brooke, has become ill while serving in Iraq and needs a kidney transplant. While reconnecting with his daughter and traveling with his adopted son, Ki’s past is revealed. Flint learns about his father’s origins, the abuse he suffered as a child, and the salvation he eventually found from “a well-dressed middle-aged gay man.” The more Ki tells Flint about his life, the more the teen relates to him. In the end, Ki passes on his wisdom and knowledge to the young man, who believes the key to keeping Ki’s lessons alive is sharing a fable of the Salmon People, which Ki used to tell to schoolchildren. Anderson-Minshall manages to juggle several major political topics, including war, green living, and even video game violence. Some of the plotline involving gender identity brings to mind Shakespeare’s Twelfth Night, and the Iraq-set war scenes are reminiscent of the Afghanistan-set 2007 book Lone Survivor. There’s a particularly significant anti-war theme; at one point, Flint thinks that American combat soldiers fighting had no guilt about their actions, which “made them far from innocent, and he kind of thought they deserved to get hurt or at least become shell-shocked.” Anderson-Minshall’s descriptions, however, can be overly thorough and misplaced: An early chapter is spent distinguishing Sunni from Shi‘ite Muslims and the treatment of Iraqi Muslims versus Native Americans, with Brooke as an incidental detail in the background, thinking that she’s dying. And despite all the political dialogue in this book, there’s little real conversation for the first 40 pages or so.
An unevenly written anti-war, gender-fluid, and environmentally conscious tale.Pub Date: April 1, 2018
ISBN: 978-0-9982521-7-9
Page Count: 382
Publisher: Transgress Press
Review Posted Online: May 11, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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