The fact that the characters happen to be African-American adds nothing to this standard woman’s empowerment romance.
Wealthy California matron in midlife crisis uses the veteran entertainer as her role model in Luckett’s debut.
While husband Randall is on an extended business trip, Lena stews in their Oakland mansion and reads Tina’s autobiography about life after Ike. Randall is no abusive Ike Turner. But he is a self-absorbed businessman who won’t go back to marriage counseling and has told Lena to figure out on her own what she wants. Lena put her ambitions as a photographer on hold in order to support Randall in his climb up the corporate ladder. Now he takes her for granted and can’t understand why she doesn’t appreciate the expensive lifestyle he’s provided. She tells him: She wants his attention, not his gifts (although readers might notice she does seem to relish the expensive trappings described in loving detail). When Randall gets home, the marriage goes from bad to worse. He may or may not be fooling around with his assistant, but he definitely resents what he considers Lena’s disloyalty as much as she resents his high-handed arrogance. When the two separate, their bratty college-age kids are with Randall all the way. Soon Lena is comfortably ensconced in her new luxury apartment with a dream gallery job starting in two weeks. She takes off for southern France, hoping to meet Tina and see her perform in concert. Wouldn’t you know it, shortly after arriving in Nice she runs into an old flame at the hotel pool. Years ago, Harmon chose another woman and has regretted it ever since. Soon he’s wining, dining and bedding Lena—not to mention proposing. When Randall shows up, full of apologies, she is understandably torn. Then she learns that her beloved mother has died and cuts her trip short. Even though Lena never actually sees Tina Turner perform, her self-affirming spirit carries the day.
The fact that the characters happen to be African-American adds nothing to this standard woman’s empowerment romance.Pub Date: Jan. 27, 2010
ISBN: 978-0-446-54296-8
Page Count: 304
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2009
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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