One need not be an Anglophile to enjoy the heroine’s London adventures, but it definitely adds to the overall experience.

London Belongs To Me

An aspiring playwright, fresh out of college, moves to the city of her dreams in this debut novel.

After an inauspicious arrival, including delayed baggage, a sudden downpour, and cramped living quarters, Alexandra “Alex” Sinclair settles into a routine of sorts in London. Still, the Emory University graduate battles with occasional panic attacks as she navigates the ups and downs of living abroad, including an economical housing arrangement that sparks many complications. She hopes to deepen her relationship with her father, who returned to his native England after divorcing her mother many years ago. But Alex also desperately wants to make it on her own, without financial assistance from him, so she seeks employment opportunities that will allow her the flexibility to work on her writing projects. Eventually, she will face a blatant case of plagiarism and other acts of sabotage, so she is fortunate to rely on the support of relatives and friends, principally Lucy, a former online acquaintance, and Lucy’s sidekick, Freddie. They both share Alex’s obsessions with Doctor Who, Sherlock, and the like. Will Alex ultimately make some real progress with a love interest? Will her chief antagonist finally receive a richly deserved comeuppance? Undoubtedly, Middleton’s novel is a love letter to London. As such, it goes a bit overboard in its effusive style and passionate outbursts, but the underlying sentiment remains sweet and contagious. At times, the author is overly fond of clunky similes and unlikely coincidences. For instance, Alex’s accidental reunion with Lucy (with whom she had lost contact) is one of the plot mechanisms that strains credibility, though most of them involve her encounters with a potential suitor. Middleton sometimes risks venturing into the realm of torrid, bodice-ripping romance novels, as in this overwrought passage: “Friday’s kiss and the possibility of seeing him today kept her awake last night, teasing and tormenting her; the ache for him still constant, it warmed her like a fever that wouldn’t break.” Still, despite these minor drawbacks, chances are that even the most skeptical or cynical readers will surrender to the many delights of this compelling narrative. Prepare to be seduced by engaging characters, irresistible in their own quirky way, and transported by keen descriptions of the sights, sounds, and tastes of London (plus two side trips to Manchester).

One need not be an Anglophile to enjoy the heroine’s London adventures, but it definitely adds to the overall experience.

Pub Date: Oct. 14, 2016

ISBN: 978-0-9952117-1-1

Page Count: 398

Publisher: Kirkwall Books

Review Posted Online: Sept. 21, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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