An absorbing novel carried by a seemingly hopeless protagonist you will want to befriend and save.

PROBLEMS

The sardonic story of one woman’s eating disorder and drug abuse.

Maya, the appealing protagonist of this aptly titled debut novel, is not OK. Her husband, Peter, is an alcoholic; her mother is dying of multiple sclerosis; her late father gave her no attention or affection while he was alive; she is having an affair with a comparably unloving father figure, her professor; she has been unable to get pregnant, despite desperately wanting a child; she is anorexic, living on, at most, 400 calories’ worth of peach yogurt a day; and, on top of all this, or maybe because of it, she’s been regularly using heroin—a “chipper”—since she was 18. At first, Maya tries to keep her habit minimal, never using more than three days in a row. But when Peter leaves her, those boundaries vanish; she thinks to herself, “Just be a junkie now.” To earn money for drugs, she cruises Craigslist for men willing to pay for dates and intimate encounters. And so begins a cycle of varyingly violent sex, extreme heroin use, and lost days. The ease of such a life leaves little motivation to stop. “Also,” she writes, “I wasn’t thin and blond. I could have cleaned up if I was.” In graceful prose, the narrator recounts the hours spent high: “Sounds folded back into the world, moving on, light-years from the living room where I lay around, hardly living.” The novel is written so well that the relentless and destructive rhythm of heroin abuse seems calming, metaphysical, and occasionally even funny. Sharma's descriptions are vivid and sage—“Sometimes it felt like there was blackness underneath everything. Like a Rothko painting, how the blackness bleeds through”—lulling readers into a similarly opiate state to which they will readily succumb and from which, like the protagonist, it will take some time to recover.

An absorbing novel carried by a seemingly hopeless protagonist you will want to befriend and save.

Pub Date: July 5, 2016

ISBN: 978-1-56689-442-5

Page Count: 208

Publisher: Coffee House

Review Posted Online: April 13, 2016

Kirkus Reviews Issue: May 1, 2016

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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