An absorbing novel carried by a seemingly hopeless protagonist you will want to befriend and save.
The sardonic story of one woman’s eating disorder and drug abuse.
Maya, the appealing protagonist of this aptly titled debut novel, is not OK. Her husband, Peter, is an alcoholic; her mother is dying of multiple sclerosis; her late father gave her no attention or affection while he was alive; she is having an affair with a comparably unloving father figure, her professor; she has been unable to get pregnant, despite desperately wanting a child; she is anorexic, living on, at most, 400 calories’ worth of peach yogurt a day; and, on top of all this, or maybe because of it, she’s been regularly using heroin—a “chipper”—since she was 18. At first, Maya tries to keep her habit minimal, never using more than three days in a row. But when Peter leaves her, those boundaries vanish; she thinks to herself, “Just be a junkie now.” To earn money for drugs, she cruises Craigslist for men willing to pay for dates and intimate encounters. And so begins a cycle of varyingly violent sex, extreme heroin use, and lost days. The ease of such a life leaves little motivation to stop. “Also,” she writes, “I wasn’t thin and blond. I could have cleaned up if I was.” In graceful prose, the narrator recounts the hours spent high: “Sounds folded back into the world, moving on, light-years from the living room where I lay around, hardly living.” The novel is written so well that the relentless and destructive rhythm of heroin abuse seems calming, metaphysical, and occasionally even funny. Sharma's descriptions are vivid and sage—“Sometimes it felt like there was blackness underneath everything. Like a Rothko painting, how the blackness bleeds through”—lulling readers into a similarly opiate state to which they will readily succumb and from which, like the protagonist, it will take some time to recover.
An absorbing novel carried by a seemingly hopeless protagonist you will want to befriend and save.Pub Date: July 5, 2016
ISBN: 978-1-56689-442-5
Page Count: 208
Publisher: Coffee House
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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