by James Beauseigneur ‧ RELEASE DATE: July 10, 2026
A studied, compelling, and unapologetically lengthy depiction of the end of days.
Global disasters plague humanity in BeauSeigneur’s apocalyptic thriller.
Dr. Harold “Harry” Goodman is part of a team tasked with an investigation of the famous Shroud of Turin. The Shroud is said to be the burial cloth of Jesus Christ, but can such claims hold up under scientific scrutiny? Goodman and a group of scientists head to Italy to find out; Decker Hawthorne, a journalist and acquaintance of Goodman’s, tags along. Years later, Goodman shares some information with Decker that he isn’t quite expecting: Goodman has a theory that “Jesus’ reported abilities to heal and such, resulted from the fact that he came from an advanced alien race.” Additionally, Goodman found live dermal cells in the Shroud that he intends to clone. Goodman goes ahead with the plan and creates a child he names Christopher. Goodman pretends that Christopher is his grandnephew whom he has taken in, but Decker quickly figures out the ruse. While a living, breathing clone of Christ is certainly a big deal, Decker heads off to Israel when another major development occurs: Jerusalem’s Western Wall is destroyed with explosives. This is only a hint of the calamities to come—the biggest being something called “the Disaster.” As a result of the Disaster, people all over the world die suddenly—as is stated in a news report, “Thousands, hundreds of thousands, maybe more, are reported dead in what is undoubtedly the worst single disaster in human history.” The deaths occur simultaneously and seemingly without reason. As Decker and others come to realize, the Disaster is merely the beginning of more turmoil and momentous events to come.
Per the author, the aim of the narrative is to dramatize biblical end-time prophecies and portray how they “might find fulfillment in the real world, in ways consistent with Scripture, science, and modern geopolitics.” The novel includes many references to biblical quotations, such as this one from the Book of Revelation: “[The Antichrist] was given power to wage war against God’s holy people and to conquer them.” Decker’s adventure unfolds in a world steeped in strife (Russia occupies Israel, for example) and in a text full of scriptural discussions. (In an example of the latter, one character, referencing a passage from Exodus, argues that “Yahweh doesn’t want peace on Earth. The Bible itself proves it!”) BeauSeigneur arranges these elements in a meticulously constructed work that tackles everything from the Knights Templar to “the sum total of all the evil that had been done upon the Earth.” While the result is a vigorous story, it’s also a protracted one—the book comes in at nearly 900 pages. These pages often include unnecessary dialogue; when Decker goes to see Goodman, he’s told, “Harry is out in the backyard playing with Christopher. They probably didn’t hear you drive up.” At other times, the author’s tendency to overly describe things can deflate the narrative’s tension. Still, the book’s stated intentions do ultimately shine through, and fans of apocalyptic fiction are in for an unrelenting, epic journey.
A studied, compelling, and unapologetically lengthy depiction of the end of days.Pub Date: July 10, 2026
ISBN: 9780965694803
Page Count: 944
Publisher: N/A
Review Posted Online: May 29, 2026
Review Program: Kirkus Indie
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by Stephen King ‧ RELEASE DATE: April 20, 2020
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.
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The master of supernatural disaster returns with four horror-laced novellas.
The protagonist of the title story, Holly Gibney, is by King’s own admission one of his most beloved characters, a “quirky walk-on” who quickly found herself at the center of some very unpleasant goings-on in End of Watch, Mr. Mercedes, and The Outsider. The insect-licious proceedings of the last are revisited, most yuckily, while some of King’s favorite conceits turn up: What happens if the dead are never really dead but instead show up generation after generation, occupying different bodies but most certainly exercising their same old mean-spirited voodoo? It won’t please TV journalists to know that the shape-shifting bad guys in that title story just happen to be on-the-ground reporters who turn up at very ugly disasters—and even cause them, albeit many decades apart. Think Jack Torrance in that photo at the end of The Shining, and you’ve got the general idea. “Only a coincidence, Holly thinks, but a chill shivers through her just the same,” King writes, “and once again she thinks of how there may be forces in this world moving people as they will, like men (and women) on a chessboard.” In the careful-what-you-wish-for department, Rat is one of those meta-referential things King enjoys: There are the usual hallucinatory doings, a destiny-altering rodent, and of course a writer protagonist who makes a deal with the devil for success that he thinks will outsmart the fates. No such luck, of course. Perhaps the most troubling story is the first, which may cause iPhone owners to rethink their purchases. King has gone a far piece from the killer clowns and vampires of old, with his monsters and monstrosities taking on far more quotidian forms—which makes them all the scarier.
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.Pub Date: April 20, 2020
ISBN: 978-1-9821-3797-7
Page Count: 448
Publisher: Scribner
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Jason Rekulak ; illustrated by Will Staehle & Doogie Horner ‧ RELEASE DATE: May 10, 2022
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
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