THE HOUSE OF WOLFE

Even for criminals, there’s no such thing as a perfect plan.

The Wolfe family is a fixture in southern Texas, where its members run several successful legal businesses and one illegal gunrunning scheme. An even wealthier branch of the family has established itself across the Mexican border. Charlie Fortune, who ostensibly runs a cantina in Wolfe Landing, heads the gunrunning operation in Texas along with his cousins Frank and Rudy and other Wolfe family members. Charlie is Jessie Wolfe's uncle, but she's like a daughter to him, so when the relatives south of the border call warning that she’s in trouble in Mexico City, he and Rudy head down there. Jessie’s problems began when her college friend Luz Sosa asked her to be her bridesmaid. Unfortunately, the newlyweds, both from wealthy families, have attracted the attention of an ambitious gangster eager to make his mark. El Galán grew up in the depths of poverty but appears to be a man of education and refinement. Along with Huerta, who runs the security team for the groom’s family, Galán has planned a snatch that will net him and his gang $5 million. Jessie, though not her cousin Rayo Luna Wolfe, is part of the group taken to two different locations while Galán and Huerta wait for the parents to cough up the money. While they’re waiting, Galán’s team coldbloodedly slaughters Huerta and his men. Jessie tries to escape but is recaptured, Charlie and Rudy plan a rescue attempt, Rayo comes to the rescue, and suddenly everything goes wrong with Galán’s perfect plan.

Slightly less violent and slower paced than Blake’s last look at the Wolfe family (The Rules of Wolfe, 2013), this installment is an absorbing look at dire poverty, depravity and the all-too-successful business of kidnapping for profit.

Pub Date: March 3, 2015

ISBN: 978-0-8021-2246-9

Page Count: 288

Publisher: Mysterious Press

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Amateurish, with a twist savvy readers will see coming from a mile away.

THE SILENT PATIENT

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 4, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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