UMP

Cohen takes a sabbatical from the nightmare landscapes of Disappearance (1989) and Through a Lens Darkly (1991) for this cartoon comedy of a simple-minded, indestructible hit man who just wants to be left alone. Following his unsuccessful assault on mobster Sal Golla—he lets Sal get away, though he kills both of his triplet brothers—big, dim- witted Frank Brady, who prefers to be called Ump, gets relocated (courtesy of his own capo's gunman protection plan) to the midwestern Arcadia of Waylin—where, it turns out, just about everybody wants to hire him. Everybody? Well, the list of potential clients includes his loutish and unwilling host, Waylin's mayor, the city treasurer, the bank president, a lovelorn wife, and a priest whose cemetery is about to be dug up to make room for a burger chain. While Ump is getting trapped into foiling a holdup and umping the local minor-league ball club—enforcing his calls by smashing windshields—and constantly explaining that he's just trying to follow his personal rules (``4. Always stop at a red light. 5. Never extinct anything''), the scheming townsfolk are putting so much pressure on him that he's glad to be called away to finish off Sal Golla (not so many laughs here, though lotsa guys get whacked) before finally returning to Waylin for a predictable showdown with his homicidal hosts. The publisher compares this to Prizzi's Honor; actually, it's more like Edward Killerhands. Don't look for anything like Condon's subtlety in the forthcoming movie.

Pub Date: Dec. 1, 1991

ISBN: 0-8027-1182-0

Page Count: 240

Publisher: Walker

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 15, 1991

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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