A well-crafted, detailed biography of the director of such classics as Frankenstein, The Invisible Man, and the 1936 version of Showboat. Though he is usually identified as a “horror film” director, Whale, in the best tradition of the old-time Hollywood directors, took on all genres, from war films to musicals. His directing career was relatively brief and late in life but, as Preston Sturges biographer Curtis (Between Flops, 1982, etc.) convincingly demonstrates, Whale, like Dr. Frankenstein, has been unfairly overshadowed by his creations. He had a real style, a precise directorial vision that inflected everything from shot selection to costumes and scenery. Whale came to film by accident. A POW during WW I, he participated in a number of prison theatricals and realized he—d finally found his mÇtier. At the end of the war, he used his substantial gambling winnings from rich officer prisoners, to stake an acting career. He enjoyed some minor success, but eventually turned to directing, again with little success, until the WW I drama Journey’s End became a surprise hit. He would direct the film version as well and its worldwide boffo box office made him the new golden boy in Hollywood. A little more than ten years later, a string of flops spelled the end of his career. In a notoriously closeted town, Whale made no secret of his homosexuality and the fact that he lived with another man. Current critical theory demands that an artist’s homosexuality be reflected in his/her work, and others, including Vito Russo, have argued, for example, that Frankenstein is about the tragedy of being in the closet. Curtis tends to dismiss this line of thought, arguing that the most significant celluloid aspect of Whale’s homosexuality was his inability to direct passionate heterosexual love scenes. While this is not an in-depth, psychologically rich biography, and Curtis’s writing tends to be wooden, as an account of Whale’s work, it is first-rate. (60 b&w photos)

Pub Date: May 29, 1998

ISBN: 0-571-19938-0

Page Count: 456

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1998

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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